[Winifred] The Merlion

"I wish it had paws," you said,
"It's quite grotesque the way it is,
you know, limbless; can you
imagine it writhing in the water,
like some post-Chernobyl nightmare?
I mean, how does it move? Like a
torpedo? Or does it shoulder itself
against the currents, gnashing with frustration,
its furious mane bleached
the colour of a drowned sun?
But take a second look at it,
how it is poised so terrestrially,
marooned on this rough shore,
as if unsure of its rightful
harbour. Could it be that,
having taken to this unaccustomed limpidity,
it has decided to abandon the seaweed-haunted
depths for land? Perhaps it is even ashamed
(But what a bold front!)
to have been a creature of the sea; look at how
it tries to purge itself of its aquatic ancestry,
in this ceaseless torrent of denial, draining
the body of rivers of histories, lymphatic memories.
What a riddle, this lesser brother of the Sphinx.
What sibling polarity, how its sister's lips are sealed
with self-knowledge and how its own jaws
clamp open in self-doubt, still
surprised after all these years."

"Yet...what brand new sun can dry
the iridescent slime from the scales
and what fresh rain wash the sting of salt
from those chalk-blind eyes?"

A pause.

"And why does it keep spewing that way?
I mean, you know, I mean..."

"I know exactly what you mean," I said,
Eyeing the blond highlights in your black hair
And your blue lenses the shadow of a foreign sky.
It spews continually if only to ruffle
its own reflection in the water; such reminders
will only scare a creature so eager to reinvent itself."

Another pause.

"Yes," you finally replied, in that acquired accent of yours,
"Well, yes, but I still do wish it had paws."

-Alfian Bin Sa'at

[Winifred] ULYSSES BY THE MERLION

I have sailed many seas,
Skirted islands of fire
Contented with Circe
Who loved the squeal of pigs;
Passed Scylla and Charybdis
To seven years with Calypso
Heaved in battle against the gods
Beneath it all
I kept faith with Ithaca, traveled,
Traveled and traveled,
Suffering much, enjoying a little;
Met strange people singing
New myths, made myths myself.

But this lion of the sea
Salt-maned, scaly, wondrous of tail,
Touched with power, insistent
On this brief promontory . . .
Puzzles

Nothing, nothing in my days
Foreshadowed this
Half-beast, half-fish,
This powerful creature of land and sea.

People settled here
Brought to this island
The bounty of these seas.
Built towers topless as Illiumâs.
They make, they serve
They buy, they sell.

Despite unequal ways,
Together they mutate.
Explore the edges of harmony.
Searched for a centre,
Have changed their gods,
Kept some memories of their past
In prayer, laughter, the way
Their women dress and greet.
They hold the bright, the beautiful,
Good ancestral dreams
Within new visions,
So shining, urgent
Full of what is new .

Perhaps having dealt in things
Surfeited on them,
Their spirit yearned again for images,
Adding to the dragon, phoenix,
Garuda, naga, those horses of the sun,
This lion of the sea,
This image of themselves.

- Edwin Thumboo

[Jaslyn] If You Forget Me - Pablo Neruda

If You Forget Me by Pablo Neruda

I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine

ICU

ICU

Peekaboo. Last game for a while.

I open my eyes, smile,

and see but cannot touch

your hands, the only part

awake while you sleep.

They're picking apart the kite-string

of your life, even as you rise

out of reach

like a balloon, like a blessing.

I think you're dreaming

of a distant beach

building castles for the waves to live in.

I see you're

so quiet people'd think

you almost weren't breathing

with the drip silent in your arm

a string about to fray

but I can't see

for the life of me

the far-off

places

to which

you

stray

By Grace Chua

SF - David Lehman

SF stood for Sigmund Freud, or serious folly,
for science fiction in San Francisco, or fear
in the south of France. The system failed.
The siblings fought. So far, such fury,
as if a funereal sequence of sharps and flats
set free a flamboyant signature, sinful, fanatic,
the fire sermon of a secular fundamentalist,
a singular fellow's Symphonie Fantastique.

Students forget the state's favorite son's face.
Sorry, friends, for the screws of fate.
Stage fright seduces the faithful for the subway fare
as slobs fake sobs, suckers flee, salesmen fade.
Sad the fops. Sudden the flip side of fame.
So find the segue. Finish the speculative frame.

[Qian Ling]

For the Falling Man - Annie Farnsworth

I see you again and again
tumbling out of the sky,
in your slate-grey suit and pressed white shirt.
At first I thought you were debris
from the explosion, maybe gray plaster wall
or fuselage but then I realized
that people were leaping.
I know who you are, I know
there's more to you than just this image
on the news, this ragdoll plummeting—
I know you were someone's lover, husband,
daddy. Last night you read stories
to your children, tucked them in, then curled into sleep
next to your wife. Perhaps there was small
sleepy talk of the future. Then,
before your morning coffee had cooled
you'd come to this; a choice between fire
or falling.
How feeble these words, billowing
in this aftermath, how ineffectual
this utterance of sorrow. We can see plainly
it's hopeless, even as the words trail from our mouths
—but we can't help ourselves—how I wish
we could trade them for something
that could really have caught you.

[Qian Ling]

This Is Just to Say by William Carlos Williams

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

How to Change a Frog into A Prince by Anna Denise

Start with the underwear. Sit him down.

Hopping on one leg may stir unpleasant memories.
If he gets his tights on, even backwards, praise him.
Fingers, formerly webbed, struggle over buttons.
Arms and legs, lengthened out of proportion, wait,
as you do, for the rest of him to catch up.
This body, so recently reformed, reclaimed,
still carries the marks of its time as a frog. Be gentle.
Avoid the words awkward and gawky.
Do not use tadpole as a term of endearment.
His body, like his clothing, may seem one size too big.
Relax. There’s time enough for crowns. He’ll grow into it.

Balloons - Sylvia Plath

Since Christmas they have lived with us, 


Guileless and clear, 


Oval soul-animals, 


Taking up half the space, 


Moving and rubbing on the silk 



Invisible air drifts, 


Giving a shriek and pop 


When attacked, then scooting to rest, barely trembling. 


Yellow cathead, blue fish-------- 


Such queer moons we live with 



Instead of dead furniture! 


Straw mats, white walls 


And these traveling 


Globes of thin air, red, green,

Delighting 



The heart like wishes or free 


Peacocks blessing 


Old ground with a feather 


Beaten in starry metals. 


Your small 



Brother is making 


His balloon squeak like a cat. 


Seeming to see 


A funny pink world he might eat on the other side of it, 


He bites, 



Then sits 


Back, fat jug 


Contemplating a world clear as water. 


A red 


Shred in his little fist.

[sharon]

The Landlady – Margaret Atwood

This is the lair of the landlady

She is

a raw voice

loose in the rooms beneath me.

the continuous henyard

squabble going on below

thought in this house like

the bicker of blood through the head.

She is everywhere, intrusive as the smells

that bulge in under my doorsill;

she presides over my

meagre eating, generates

the light for eyestrain.

From her I rent my time:

she slams

my days like doors.

Nothing is mine.

and when I dream images

of daring escapes through the snow

I find myself walking

always over a vast face

which is the land-

lady's, and wake up shouting.

She is a bulk, a knot

swollen in a space. Though I have tried

to find some way around

her, my senses

are cluttered by perception

and can't see through her.

She stands there, a raucous fact

blocking my way:

immutable, a slab

of what is real.

solid as bacon.



[sharon]

Elizabeth Bishop, "One Art"

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant 
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.


--Even losing you (the joking voice, a gesture
I love) I shan't have lied.  It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

[Jina]

e. e. cummings, "9."

there are so many tictoc
clocks everywhere telling people
what toctic time it is for
tictic instance five toc minutes toc
past six tic

Spring is not regulated and does
not get out of order nor do
its hands a little jerking move
over numbers slowly

   we do not
wind it up it has no weights
springs wheels inside of
its slender self no indeed dear
nothing of the kind.

(So,when kiss Spring comes
we'll kiss each kiss other on kiss the kiss
lips because tic clocks toc don't make
a toctic difference
to kisskiss you and to 
kiss me)

[Jina]

W. H. Auden, "The Unknown Citizen"

(To JS/07 M 378
This Marble Monument
Is Erected by the State)

He was found by the Bureau of Statistics to be
One against whom there was no official complaint,
And all the reports on his conduct agree
That, in the modern sense of an old-fashioned word, he was a
   saint,
For in everything he did he served the Greater Community.
Except for the War till the day he retired
He worked in a factory and never got fired,
But satisfied his employers, Fudge Motors Inc.
Yet he wasn't a scab or odd in his views,
For his Union reports that he paid his dues,
(Our report on his Union shows it was sound)
And our Social Psychology workers found
That he was popular with his mates and liked a drink.
The Press are convinced that he bought a paper every day
And that his reactions to advertisements were normal in every way.
Policies taken out in his name prove that he was fully insured,
And his Health-card shows he was once in hospital but left it cured.
Both Producers Research and High-Grade Living declare
He was fully sensible to the advantages of the Instalment Plan
And had everything necessary to the Modern Man,
A phonograph, a radio, a car and a frigidaire.
Our researchers into Public Opinion are content 
That he held the proper opinions for the time of year;
When there was peace, he was for peace:  when there was war, he went.
He was married and added five children to the population,
Which our Eugenist says was the right number for a parent of his
   generation.
And our teachers report that he never interfered with their
   education.
Was he free? Was he happy? The question is absurd:
Had anything been wrong, we should certainly have heard.

[Jina]

Carol Ann Duffy, "Valentine"

Not a red rose or a satin heart.

I give you an onion.

It is a moon wrapped in brown paper.

It promises light

like the careful undressing of love.

Here. 

It will blind you with tears 

like a lover.

It will make your reflection

a wobbling photo of grief.

I am trying to be truthful.

Not a cute card or a kissogram.

I give you an onion.

Its fierce kiss will stay on your lips,

possessive and faithful

as we are,

for as long as we are.

Take it.

Its platinum loops shrink to a wedding-ring,

if you like.

Lethal.

Its scent will cling to your fingers,

cling to your knife.

[Jina]

Valentine - Carol Ann Duffy

Not a red rose or a satin heart.

I give you an onion.

It is a moon wrapped in brown paper.

It promises light

like the careful undressing of love.

Here.

It will blind you with tears

like a lover.

It will make your reflection

a wobbling photo of grief.

I am trying to be truthful.

Not a cute card or a kissogram.

I give you an onion.

Its fierce kiss will stay on your lips,

possessive and faithful

as we are,

for as long as we are.

Take it.

Its platinum loops shrink to a wedding-ring,

if you like.

Lethal.

Its scent will cling to your fingers,

cling to your knife.

[sharon]

Sylvia Plath, "Cut"

for Susan O'Neill Roe

What a thrill ----
My thumb instead of an onion.
The top quite gone
Except for a sort of hinge

Of skin,
A flap like a hat,
Dead white.
Then that red plush.

Little pilgrim,
The Indian's axed your scalp.
Your turkey wattle
Carpet rolls

Straight from the heart.
I step on it,
Clutching my bottle
Of pink fizz. A celebration, this is.
Out of a gap
A million soldiers run,
Redcoats, every one.

Whose side are they one?
O my
Homunculus, I am ill.
I have taken a pill to kill

The thin
Papery feeling.
Saboteur,
Kamikaze man ----

The stain on your
Gauze Ku Klux Klan
Babushka
Darkens and tarnishes and when
The balled
Pulp of your heart
Confronts its small
Mill of silence

How you jump ----
Trepanned veteran,
Dirty girl,
Thumb stump.

[Jina]

Reckless Poem by Mary Oliver

Today again I am hardly myself.
It happens over and over.
It is heaven-sent.

It flows through me
like the blue wave.
Green leaves – you may believe this or not –
have once or twice
emerged from the tips of my fingers

somewhere
deep in the woods,
in the reckless seizure of spring.

Though, of course, I also know that other song,
the sweet passion of one-ness.

Just yesterday I watched an ant crossing a path, through the
tumbled pine needles she toiled.
And I thought: she will never live another life but this one.
And I thought: if she lives her life with all her strength
is she not wonderful and wise?
And I continued this up the miraculous pyramid of everything
until I came to myself.

And still, even in these northern woods, on these hills of sand,
I have flown from the other window of myself
to become white heron, blue whale,
red fox, hedgehog.
Oh, sometimes already my body has felt like the body of a flower!
Sometimes already my heart is a red parrot, perched
among strange, dark trees, flapping and screaming.