The Wicked Postman - Rabindranath Tagore

Why do you sit there on the floor so quiet and silent, tell me,
mother dear?
The rain is coming in through the open window, making you all
wet, and you don't mind it.
Do you hear the gong striking four? It is time for my brother
to come home from school.
What has happened to you that you look so strange?
Haven't you got a letter from father today?
I saw the postman bringing letters in his bag for almost
everybody in the town.
Only father's letters he keeps to read himself. I am sure the
postman is a wicked man.
But don't be unhappy about that, mother dear.
Tomorrow is market day in the next village. You ask your maid
to buy some pens and papers.
I myself will write all father's letters; you will not find
a single mistake.
I shall write from A right up to K.
But, mother, why do you smile?
You don't believe that I can write as nicely as father does!
But I shall rule my paper carefully, and write all the letters
beautifully big.
When I finish my writing do you think I shall be so foolish
as father and drop it into the horrid postman's bag?
I shall bring it to you myself without waiting, and letter by
letter help you to read my writing.
I know the postman does not like to give you the really nice
letters.

[Mel] Having A Coke With You by Frank O'Hara

Having a Coke with You

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

[Mel] In Paris With You by James Fenton

 Don’t talk to me of love.  I’ve had an earful
 And I get tearful when I’ve downed a drink or two.
 I’m one of your talking wounded.
 I’m a hostage. I’m maroonded.
 But I’m in Paris with you.

 Yes, I’m angry at the way I’ve been bamboozled
 And resentful at the mess that I’ve been through.
 I admit I’m on the rebound
 And I don’t care where are we bound.
 I’m in Paris with you.

 Do you mind if we do not go to the Louvre,
 If we say sod off to sodding Notre Dame
 If we skip the champs Elysees
 And remain here in this sleazy
 Old hotel room
 Doing this or that
 To what and whom
 Learning who you are,
 Learning what I am.

 Don’t talk to me of love. Let’s talk of Paris,
 The little bit of Paris in our view.
 There’s that crack across the ceiling
 And the hotel walls are peeling
 And I’m in Paris with you.

 Don’t talk to me of love.  Let’s talk of Paris.
 I’m in Paris with the slightest thing you do.
 I’m in Paris with your eyes, your mouth,
 I’m in Paris with... all points south.
 Am I embarrassing you?
 I’m in Paris with you.

[Winifred] The Cradle

Sweet dreams form a shade,

O'er my lovely infants head.

Sweet dreams of pleasant streams,

By happy silent moony beams

Sweet sleep with soft down.

Weave thy brows an infant crown.

Sweet sleep Angel mild,

Hover o'er my happy child.

Sweet smiles in the night,

Hover over my delight.

Sweet smiles Mothers smiles,

All the livelong night beguiles.

Sweet moans, dovelike sighs,

Chase not slumber from thy eyes,

Sweet moans, sweeter smiles,

All the dovelike moans beguiles.

Sleep sleep happy child,

All creation slept and smil'd.

Sleep sleep, happy sleep.

While o'er thee thy mother weep

Sweet babe in thy face,

Holy image I can trace.

Sweet babe once like thee.

Thy maker lay and wept for me

Wept for me for thee for all,

When he was an infant small.

Thou his image ever see.

Heavenly face that smiles on thee,

Smiles on thee on me on all,

Who became an infant small,

Infant smiles are His own smiles,

Heaven & earth to peace beguiles.

- William Blake

[Winifred] We Are Seven

A simple child...
That lightly draws its breath
And feels its life in every limb,
What should it know of death?

I met a little cottage girl-
She was eight years old, she said;
Her hair was thick with many a curl
That clustered 'round her head.

She had a rustic, woodland air
And she was wildly clad;
Her eyes were fair, and very fair;
Her beauty made me glad.

"Sisters and brothers, little maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.

"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell
And two are gone to sea."

"Two of us in the churchyard lie,
My sister and my brother
And in the churchyard cottage, I
Dwell near them with my mother."

"You say that two at Conway dwell
And two are gone to sea,
Yet, ye are seven! I pray you tell,
Sweet maid, how this may be."

Then did the little maid reply,
"Seven boys and girls are we;
Two of us in the churchyard lie,
Beneath the churchyard tree."

"You run about, my little maid,
Your limbs they are alive;
If two are in the churchyard laid
Then ye are only five."

"Their graves are green, they may be seen,"
The little maid replied,
"Twelve steps or more from my mother's door
And they are side by side."

"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit
And sing a song to them."

"And often after sunset, sir,
When it is light and fair
I take my little porringer
And eat my supper there."

"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain
And then she went away."

"So in the churchyard she was laid
And, when the grass was dry
Together round her grave we played,
My brother John and I."

"And when the ground was white with snow
And I could run and slide,
My brother John was forced to go
And he lies by her side."

"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little maid's reply,
"O master! We are seven."

"But they are dead; those two are dead!
Their spirits are in heaven!"
'T was throwing words away; for still
The little maid would have her will
And said... "Nay, we are seven!"

- William Wordsworth

This Is a Photograph of Me - Margaret Atwood

It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

In the background there is a lake,
and beyond that, some low hills.

(The photograph was taken
the day after I drowned.
I am in the lake, in the center
of the picture, just under the surface.

It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion

but if you look long enough,
eventually
you will be able to see me.)

The Doll - Hilary Tham

Mother said:

“I cannot afford to buy one but I will make you

a doll.”

2 Popsicle sticks

crossed and tied with string.

2 eyes with brows pencilled in.

A quick stroke of another pen

made a scarlet smiling mouth. Then

a dab of glue and cotton wool.

2 scraps of cloth from the sewing

basket, with lace tacked on.

And Doll was fully formed, with

a change of clothes to hand.

Doll lived under my pillow for years.

She did not meet the porcelain doll,

the plastic dolls on our street.

They had real hair, hands with fingers

and toes on their feet.

The Last Dollar – Hilary Tham

Growing up in a dirt lane of shacks,
far from the brick mansions of rich
relatives, I did not feel poor.
After all, our house had a zinc
roof and a real cement floor.
We had a father who worked, a mother
who managed to feed us a little
vegetable with rice
even at month’s end
when neighbors’ children
ate gruel.

The nuns at school asked for help
with the fair to raise money
For The Poor. In a glow of goodwill
I volunteered (it would only cost a dollar)
a gallon of black sea-grass jelly
to make drinks to sell.

Mother cried when I told her.
It was the end of the month
and her last dollar was for food.
She gave me the dollar and we ate gruel
that week, the first time I knew
mothers can cry.

'The Centre of the Universe' - Paul Durcan

Pushing my trolley about in the supermarket;
I am the centre of the universe;
Up and down the aisles of beans and juices,
I am the centre of the universe;
It does not matter that I live alone;
It does not matter that I am a jilted lover;
It does not matter that I am a misfit in my job;
I am the centre of the universe.

But I'm always here, if you want me -
For I am the centre of the universe.

I enjoy being the centre of the universe.
It is not easy being the centre of the universe
But I enjoy it.
I take pleasure in,
I delight in,
Being the centre of the universe.
At six o'clock a.m. this morning I had a phone call;
It was from a friend, a man in Los Angeles;
"Paul, I don't know what time it is in Dublin
But I simply had to call you:
I cannot stand LA so I thought I'd call you."
I calmed him down as best I could.

But I'm always here, if you want me -
For I am the centre of the universe.

I had barely put the phone down when it rang again,
This time from a friend in Sao Paulo in Brazil:
"Paul - do you know what is the population of Sao Paulo?
I will tell you: it is twelve million skulls.
Twelve million pairs of feet in one footbath.
Twelve million pairs of eyes in one fishbowl.
It is unspeakable, I tell you, unspeakable."
I calmed him down.

But I'm always here, if you want me -
For I am the centre of the universe.

But then when the phone rang a third time and it was not yet 6.30 a.m.,
The petals of my own hysteria began to wake up and unfurl.
This time it was a woman I know in New York City:
"Paul - New York City is a Cage",
And she began to cry a little over the phone,
To sob over the phone,
And from five thousand miles away I mopped up her tears.
I dabbed each tear from her cheek
With just a word or two or three from my calm voice.

I'm always here, if you want me -
For I am the centre of the universe.

But now tonight it is myself;
Sitting at my aluminium double-glazed window in Dublin city;
Crying just a little bit into my black tee shirt.
If only there was just one human being out there
With whom I could make a home? Share a home?
Just one creature out there in the night-
Is there not just one creature out there in the night?
In Helsinki, perhaps? Or in Reykjavik?
Or in Chapelizod? or in Malahide?
So you see, I have to calm myself down also
If I am to remain the centre of the universe;
It's by no means an exclusively self-centred automatic thing
Being the centre of the universe.

I'm always here, if you want me -
For I am the centre of the universe.

Prayer before Birth

Prayer before Birth

I am not yet born; O hear me.

Let not the bloodsucking bat or the rat or the stoat or the

     club-footed ghoul come near me.

I am not yet born, console me.

I fear that the human race may with tall walls wall me,

     with strong drugs dope me, with wise lies lure me,

        on black racks rack me, in blood-baths roll me.

I am not yet born; provide me

With water to dandle me, grass to grow for me, trees to talk

     to me, sky to sing to me, birds and a white light

        in the back of my mind to guide me.

I am not yet born; forgive me

For the sins that in me the world shall commit, my words

     when they speak me, my thoughts when they think me,

        my treason engendered by traitors beyond me,

           my life when they murder by means of my

              hands, my death when they live me.

I am not yet born; rehearse me

In the parts I must play and the cues I must take when

     old men lecture me, bureaucrats hector me, mountains

        frown at me, lovers laugh at me, the white

            waves call me to folly and the desert calls

              me to doom and the beggar refuses

                 my gift and my children curse me.

I am not yet born; O hear me,

Let not the man who is beast or who thinks he is God

     come near me.

I am not yet born; O fill me

With strength against those who would freeze my

     humanity, would dragoon me into a lethal automaton,

        would make me a cog in a machine, a thing with

           one face, a thing, and against all those

              who would dissipate my entirety, would

                 blow me like thistledown hither and

                    thither or hither and thither

                       like water held in the

                          hands would spill me.

Let them not make me a stone and let them not spill me.

Otherwise kill me.

By Louis MacNeice

The Road not Taken by Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim
Because it was grassy and wanted wear,
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I marked the first for another day!
Yet knowing how way leads on to way
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.

Annabel Lee

It was many and many a year ago,

   In a kingdom by the sea,

That a maiden there lived whom you may know

   By the name of Annabel Lee;

And this maiden she lived with no other thought

   Than to love and be loved by me.

I was a child and she was a child,

   In this kingdom by the sea:

But we loved with a love that was more than love--

   I and my Annabel Lee;

With a love that the winged seraphs of heaven

   Coveted her and me.

And this was the reason that, long ago,

   In this kingdom by the sea,

A wind blew out of a cloud, chilling

   My beautiful Annabel Lee;

So that her highborn kinsman came

   And bore her away from me,

To shut her up in a sepulchre

   In this kingdom by the sea.

The angels, not half so happy in heaven,

   Went envying her and me--

Yes!--that was the reason (as all men know,

   In this kingdom by the sea)

That the wind came out of the cloud by night,

   Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love

   Of those who were older than we--

   Of many far wiser than we--

And neither the angels in heaven above,

   Nor the demons down under the sea,

Can ever dissever my soul from the soul

   Of the beautiful Annabel Lee:

For the moon never beams, without bringing me dreams

   Of the beautiful Annabel Lee;

And the stars never rise, but I feel the bright eyes

   Of the beautiful Annabel Lee;

And so, all the night-tide, I lie down by the side

Of my darling--my darling--my life and my bride,

   In her sepulchre there by the sea,

   In her tomb by the sounding sea.


[Rafiqqa]

SF - David Lehman

SF stood for Sigmund Freud, or serious folly,
for science fiction in San Francisco, or fear
in the south of France. The system failed.
The siblings fought. So far, such fury,
as if a funereal sequence of sharps and flats
set free a flamboyant signature, sinful, fanatic,
the fire sermon of a secular fundamentalist,
a singular fellow's Symphonie Fantastique.

Students forget the state's favorite son's face.
Sorry, friends, for the screws of fate.
Stage fright seduces the faithful for the subway fare
as slobs fake sobs, suckers flee, salesmen fade.
Sad the fops. Sudden the flip side of fame.
So find the segue. Finish the speculative frame.

[Qian Ling]

Learning the Bicycle - Wyatt Prunty

for Heather

The older children pedal past
Stable as little gyros, spinning hard
To supper, bath, and bed, until at last
We also quit, silent and tired
Beside the darkening yard where trees
Now shadow up instead of down.
Their predictable lengths can only tease
Her as, head lowered, she walks her bike alone
Somewhere between her wanting to ride
And her certainty she will always fall.
Tomorrow, though I will run behind,
Arms out to catch her, she'll tilt then balance wide
Of my reach, till distance makes her small,
Smaller, beyond the place I stop and know
That to teach her I had to follow
And when she learned I had to let her go.

[Qian Ling]

After love - Maxine Kumin

Afterward, the compromise.
Bodies resume their boundaries

These legs, for instance, mine.
Your arms take you back in.

Spoons of our fingers, lips
admit their ownership.

The bedding yawns, a door
blows aimlessly ajar

and overhead, a plane
singsongs coming down.

Nothing is changed, except
there was a moment when

the wolf, the mongering wolf
who stands outside the self

lay lightly down, and slept.

[Qian Ling]

Circle - Howard Moss

Now are we saying goodbye?
I think so but can't be sure.
The last phone call but one
Left everything up in the air.
When you called last, did you mean
What you said when you said you meant
To say that this call would be
The last if I didn't call?
In fact, I'm not sure at all
If you called or I called you back.
And did you say "goodbye,"
Or I say "good night" and you
Say "Do you mean ‘good night'
Or ‘goodbye'?" I think it was you.
And what were you trying to do
When you said, "You said we're through?"
How could that be since you
Were the first to bring it up?
I don't think it's what I said,
Though you keep saying I did.
In any case, now that you know
That you know what I meant to say,
Why don't you say what you mean?
I mean if you mean to say
That the last call was the last.
I think that that would be best.
If something is finished, it's just
As well to get up and go.
If you're interested still to know,
I like a slate wiped clean,
And if you would pick up the phone,
I'd tell you what I mean.

[Qian Ling]

Unveiling - Linda Pastan

In the cemetery
a mile away
from where we used to live,
my aunts and mother
my father and uncles lie
in two long rows,
almost the way
they used to sit around
the long planked table
at family dinners.
And walking beside
the graves today, down
one straight path
and up the next,
I don't feel sad, exactly,
just left out a bit,
as if they kept
from me the kind
of grown-up secret
they used to share
back then, something
I'm not quite ready yet
to learn.

[Qian Ling]

Do not stand at my grave and weep - Mary E. Frye

Do not stand at my grave and weep
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.

[Qian Ling]

Song for Naomi By Irving Layton

Who is that in the tall grasses singing 

By herself, near the water? 

I can not see her 

But can it be her 

Than whom the grasses so tall 

Are taller,  

My daughter, 

My lovely daughter?  

Who is that in the tall grasses running 

Beside her, near the water? 

She can not see there 

Time that pursued her 

In the deep grasses so fast 

And faster 

And caught her, 

My foolish daughter.  

What is the wind in the fair grass saying 

Like a verse, near the water? 

Saviours that over 

All things have power 

Make Time himself grow kind 

And kinder 

That sought her, 

My little daughter.  

Who is that at the close of the summer 

Near the deep lake?  Who wrought her 

Comely and slender? 

Time but attends and befriends her 

Than whom the grasses though tall 

Are not taller,  

My daughter, 

My gentle daughter.