Showing posts with label Upper/Lower Sec. Show all posts
Showing posts with label Upper/Lower Sec. Show all posts

Monday, October 3, 2011

The Panic Bird by Robert Phillips

just flew inside my chest. Some
days it lights inside my brain,
but today it's in my bonehouse,
rattling ribs like a birdcage.

If I saw it coming, I'd fend it
off with machete or baseball bat.
Or grab its scrawny hackled neck,
wring it like a wet dishrag.

But it approaches from behind.
Too late I sense it at my back --
carrion, garbage, excrement.
Once inside me it preens, roosts,

vulture on a public utility pole.
Next it flaps, it cries, it glares,
it rages, it struts, it thrusts
its clacking beak into my liver,

my guts, my heart, rips off strips.
I fill with black blood, black bile.
This may last minutes or days.
Then it lifts sickle-shaped wings,

rises, is gone, leaving a residue --
foul breath, droppings, molted midnight
feathers. And life continues.
And then I'm prey to panic again.

Garden City By Gilbert Koh

Let there be trees, the man said, and lo and behold,
there were trees – rain trees, angsanas, flames of the forest,
causarinas, traveller’s palms and more – springing up against
the steel and concrete of the expanding city.
Even as the true towers of the city climbed higher
and higher for the heavens, the trees were planted, replanted,
transplanted, watered, fertilised, and groomed to grow
and grow. They appeared overnight, abandoned the
chaos of jungle, bent to the will of man, grew in straight lines,
in squares and rectangles, in allocated corners,
in car parks, along highways, outside banks and buildings,
faithful to the commandments of urban developers.
The hard lines of architecture were softened,
the rain did fall, the green did gently, gently grow,
and in his seventieth year, the man was pleased,
as he rested, as he viewed his work, as he felt the weight
of a nation’s soil run slowly through his old green hands.

Tuesday, September 27, 2011

[Mel] Saddest Poem by Pablo Neruda

I can write the saddest poem of all tonight. 

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.

To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.

What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.

That's all. Far away, someone sings. Far away.
My soul is lost without her.

As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.

The same night that whitens the same trees.
We, we who were, we are the same no longer.

I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.

Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.

I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.

Because on nights like this I held her in my arms,
my soul is lost without her.

Although this may be the last pain she causes me,
and this may be the last poem I write for her.

[Mel] Nothing Gold Can Stay by Robert Frost

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf,
So Eden sank to grief,
So dawn goes down to day
Nothing gold can stay. 

[Lisah] When You Are Old

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look,
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

-W B Yeats

Monday, September 26, 2011

[Winifred] The Merlion

"I wish it had paws," you said,
"It's quite grotesque the way it is,
you know, limbless; can you
imagine it writhing in the water,
like some post-Chernobyl nightmare?
I mean, how does it move? Like a
torpedo? Or does it shoulder itself
against the currents, gnashing with frustration,
its furious mane bleached
the colour of a drowned sun?
But take a second look at it,
how it is poised so terrestrially,
marooned on this rough shore,
as if unsure of its rightful
harbour. Could it be that,
having taken to this unaccustomed limpidity,
it has decided to abandon the seaweed-haunted
depths for land? Perhaps it is even ashamed
(But what a bold front!)
to have been a creature of the sea; look at how
it tries to purge itself of its aquatic ancestry,
in this ceaseless torrent of denial, draining
the body of rivers of histories, lymphatic memories.
What a riddle, this lesser brother of the Sphinx.
What sibling polarity, how its sister's lips are sealed
with self-knowledge and how its own jaws
clamp open in self-doubt, still
surprised after all these years."

"Yet...what brand new sun can dry
the iridescent slime from the scales
and what fresh rain wash the sting of salt
from those chalk-blind eyes?"

A pause.

"And why does it keep spewing that way?
I mean, you know, I mean..."

"I know exactly what you mean," I said,
Eyeing the blond highlights in your black hair
And your blue lenses the shadow of a foreign sky.
It spews continually if only to ruffle
its own reflection in the water; such reminders
will only scare a creature so eager to reinvent itself."

Another pause.

"Yes," you finally replied, in that acquired accent of yours,
"Well, yes, but I still do wish it had paws."


-Alfian Bin Sa'at

[Winifred] ULYSSES BY THE MERLION

I have sailed many seas,
Skirted islands of fire
Contented with Circe
Who loved the squeal of pigs;
Passed Scylla and Charybdis
To seven years with Calypso
Heaved in battle against the gods
Beneath it all
I kept faith with Ithaca, traveled,
Traveled and traveled,
Suffering much, enjoying a little;
Met strange people singing
New myths, made myths myself.

But this lion of the sea
Salt-maned, scaly, wondrous of tail,
Touched with power, insistent
On this brief promontory . . .
Puzzles

Nothing, nothing in my days
Foreshadowed this
Half-beast, half-fish,
This powerful creature of land and sea.

People settled here
Brought to this island
The bounty of these seas.
Built towers topless as Illiumâs.
They make, they serve
They buy, they sell.

Despite unequal ways,
Together they mutate.
Explore the edges of harmony.
Searched for a centre,
Have changed their gods,
Kept some memories of their past
In prayer, laughter, the way
Their women dress and greet.
They hold the bright, the beautiful,
Good ancestral dreams
Within new visions,
So shining, urgent
Full of what is new .

Perhaps having dealt in things
Surfeited on them,
Their spirit yearned again for images,
Adding to the dragon, phoenix,
Garuda, naga, those horses of the sun,
This lion of the sea,
This image of themselves.


- Edwin Thumboo

Saturday, September 24, 2011

First Day at School

A millionbillionwillion miles from home
Waiting for the bell to go. (To go where?)
Why are they all so big, other children?
So noisy? So much at home they
Must have been born in uniform
Lived all their lives in playgrounds
Spent the years inventing games
That don't let me in. Games
That are rough, that swallow you up.

And the railings.
All around, the railings.
Are they to keep out wolves and monsters?
Things that carry off and eat children?
Things you don't take sweets from?
Perhaps they're to stop us getting out
Running away from the lessins. Lessin.
What does a lessin look like?
Sounds small and slimy.
They keep them in the glassrooms.
Whole rooms made out of glass. Imagine.

I wish I could remember my name
Mummy said it would come in useful.
Like wellies. When there's puddles.
Yellowwellies. I wish she was here.
I think my name is sewn on somewhere
Perhaps the teacher will read it for me.
Tea-cher. The one who makes the tea. 


                                                                 By Roger McGough