Poverty And Wealth by Ella Wheeler Wilcox

The stork flew over a town one day,
And back of each wing an infant lay;
One to a rich man’s home he brought,
And one he left at a labourer’s cot.
The rich man said, ‘My son shall be
A lordly ruler o’er land and sea.’
The labourer sighed, ‘’Tis the good God’s will
That I have another mouth to fill.’
The rich man’s son grew strong and fair,
And proud with the pride of a millionaire.
His motto in life was, ‘Live while you may, ’
And he crowded years in a single day.
He bought position and name and place,
And he bought him a wife with a handsome face.
He journeyed over the whole wide world,
But discontent his heart lay curled
Like a serpent hidden in leaves and moss,
And life seemed hollow and gold was dross.
He scoffed at woman, and doubted God,
And died like a beast and went back to the sod.
The son of the labourer tilled the soil,
And thanked God daily for health and toil.
He wedded for love in his youthful prime,
And two lives chorded in tune and time.
His wants were simple, and simple his creed,
To trust God fully: it served his need,
And lightened his labour, and helped him to die
With a smile on his lips and a hope in his eye.
When all is over and all is done,
Now which of these men was the richer one?

Rapunzel Explains the Tower

She said "to keep you safe" and I understood.

She'd had enough of men's wild hands

in the rampion and parsley, one more garden

besieged. Here, only women spoke.

And no mirrors — nothing to make me question

the softness of my skin, the redolent body.

But he came, as they all do,

through the window, all dash,

claiming to love my voice.

One day she found him clinging

to my hair and sent him packing.

She noticed the new swell of my girl's waist.

She knew the danger of 16–year–olds

with golden curls where I was going.

So she came at me with scissors

and turned me out into the world. It was blinding.

In the desert, I heard her words,

that no prince would be my rescue.

I wrap my baby in silk, smash the palace mirrors.

Jeannine Hall Gailey

ICU

ICU

Peekaboo. Last game for a while.

I open my eyes, smile,

and see but cannot touch

your hands, the only part

awake while you sleep.

They're picking apart the kite-string

of your life, even as you rise

out of reach

like a balloon, like a blessing.

I think you're dreaming

of a distant beach

building castles for the waves to live in.

I see you're

so quiet people'd think

you almost weren't breathing

with the drip silent in your arm

a string about to fray

but I can't see

for the life of me

the far-off

places

to which

you

stray

By Grace Chua

Lament

LAMENT

Listen, children:

Your father is dead.

From his old coats

I'll make you little jackets:

I'll make you little trousers

From his old pants.

There'll be in his pockets

Things he used to put there,

Keys and pennies

Covered with tobacco;

Dan shall have the pennies

To save in his bank;

Anne shall have the keys

To make a pretty noise with.

Life must go on,

And the dead be forgotten.

Life Must Go On,

Though good men die;

Anne, eat your breakfast.

Dan, take your medicine;

Life must go on;

I forget just why.

By Edna St. Vincent Millay

All the World's a Stage

All the world's a stage,

And all the men and women merely players:

They have their exits and their entrances;

And one man in his time plays many parts,

His acts being seven ages. At first the infant,

Mewling and puking in the nurse's arms.

And then the whining school-boy, with his satchel

And shining morning face, creeping like snail

Unwillingly to school. And then the lover,

Sighing like furnace, with a woeful ballad

Made to his mistress' eyebrow. Then a soldier,

Full of strange oaths and bearded like the pard,

Jealous in honour, sudden and quick in quarrel,

Seeking the bubble reputation

Even in the cannon's mouth. And then the justice,

In fair round belly with good capon lined,

With eyes severe and beard of formal cut,

Full of wise saws and modern instances;

And so he plays his part. The sixth age shifts

Into the lean and slipper'd pantaloon,

With spectacles on nose and pouch on side,

His youthful hose, well saved, a world too wide

For his shrunk shank; and his big manly voice,

Turning again toward childish treble, pipes

And whistles in his sound. Last scene of all,

That ends this strange eventful history,

Is second childishness and mere oblivion,

Sans teeth, sans eyes, sans taste, sans everything

[Rafiqqa]