Four Seasons fill the measure of the year; There are four seasons in the mind of man:He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honeyed cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto Heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness—to let fair things Pass by unheeded as a threshold brook:— He has his Winter too of pale misfeature, Or else he would forego his mortal nature.
Monday, September 26, 2011
[Roxanne} Yeats: The Human Seasons
Sunday, September 25, 2011
[Jaslyn] The Wind Tapped Like a Tired Man - Emily Dickinson
The Wind Tapped Like a Tired Man
Emily Dickinson
The wind tapped like a tired man,
And like a host, "Come in,"
I boldly answered; entered then
My residence within
A rapid, footless guest,
To offer whom a chair
Were as impossible as hand
A sofa to the air.
[Jaslyn] The Wind begun to knead the Grass - Emily Dickinson
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Saturday, September 24, 2011
One Art
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.
--Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
Elizabeth Bishop
Break, break, break
Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.
O, well for the fisherman's boy,
That he shouts with his sister at play!
O, well for the sailor lad,
That he sings in his boat on the bay!
And the stately ships go on
To their haven under the hill;
But O for the touch of a vanish'd hand,
And the sound of a voice that is still!
Break, break, break
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me
Lord Alfred Tennyson
Boy at the Window
In dusk and cold is more than he can bear.
The small boy weeps to hear the wind prepare
A night of gnashings and enormous moan.
His tearful sight can hardly reach to where
The pale-faced figure with bitumen eyes
Returns him such a god-forsaken stare
As outcast Adam gave to Paradise.
The man of snow is, nonetheless, content,
Having no wish to go inside and die.
Still, he is moved to see the youngster cry.
Though frozen water is his element,
He melts enough to drop from one soft eye
A trickle of the purest rain, a tear
For the child at the bright pane surrounded by
Such warmth, such light, such love, and so much fear.
By Richard Wilbur
Once by the Pacific
Friday, September 23, 2011
Two Sunflowers Move in the Yellow Room
[Rafiqqa]
The Table and the Chair - Edward Lear
'You can hardly be aware,
How I suffer from the heat,
And from chilblains on my feet!
If we took a little walk,
We might have a little talk!
Pray let us take the air!'
Said the Table to the Chair.
Said the Chair to the table,
'Now you know we are not able!
How foolishly you talk,
When you know we cannot walk!'
Said the Table with a sigh,
'It can do no harm to try,
I've as many legs as you,
Why can't we walk on two?'
So they both went slowly down,
And walked about the town
With a cheerful bumpy sound,
As they toddled round and round.
And everybody cried,
As they hastened to their side,
'See! the Table and the Chair
Have come out to take the air!'
But in going down an alley,
To a castle in a valley,
They completely lost their way,
And wandered all the day,
Till, to see them safely back,
They paid a Ducky-quack,
And a Beetle, and a Mouse,
Who took them to their house.
Then they whispered to each other,
'O delightful little brother!
What a lovely walk we've taken!
Let us dine on Beans and Bacon!'
So the Ducky and the leetle
Browny-Mousy and the Beetle
Dined and danced upon their heads
Till they toddled to their beds.
[Qian Ling]
Thursday, September 22, 2011
Leisure - William Henry Davies
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty's glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this is if, full of care,
We have no time to stand and stare.
[sharon]
note: I think this poem, though simple, can be put to use through all levels because of the meaning it encompasses. the secondary 4 students will need reminders like this as they drown in O levels preparations.
Beware : Do Not Read This Poem By Ishmael Reed
tonite, thriller was
abt an ol woman , so vain she
surrounded herself w/
many mirrors
it got so bad that finally she
locked herself indoors & her
whole life became the
mirrors
one day the villagers broke
into her house , but she was too
swift for them . she disappeared
into a mirror
each tenant who bought the house
after that , lost a loved one to
the ol woman in the mirror :
first a little girl
then a young woman
then the young woman/s husband
the hunger of this poem is legendary
it has taken in many victims
back off from this poem
it has drawn in yr feet
back off from this poem
it has drawn in yr legs
back off from this poem
it is a greedy mirror
you are into the poem . from
the waist down
nobody can hear you can they ?
this poem has had you up to here
belch
this poem aint got no manners
you cant call out frm this poem
relax now & go w/ this poem
move & roll on to this poem
do not resist this poem
this poem has yr eyes
this poem has his head
this poem has his arms
this poem has his fingers
this poem has his fingertips
this poem is the reader & the
reader this poem
statistic : the us bureau of missing persons re-
ports that in 1968 over 100,000 people
disappeared leaving no solid clues
nor trace only
a space in the lives of their friends