has nothing in it.
No comfortable furniture,
no TVs, voices,
clocks ticking, nothing
except beats of air and blood
pulsing through your lungs.
You take a clean breath
and quietness comes in.
Your favorite films start flaring
on theatres of walls, whenever
you are brave enough
to chase your images
with words.
In a future with few blank walls,
libraries are hushed museums,
where crowds devour your books.
Others enter,
startled, tremulous.
Back to the Poets Room.
The bare room,
friendly in a dismal
daring way.
Here you can eat rocks,
jump precipices
and always recover, provided
you have pen and paper
to catch you
By Judith Pordon
Showing posts with label Mood. Show all posts
Showing posts with label Mood. Show all posts
Saturday, September 24, 2011
The Poet's Room
Labels:
a poet’s life,
figurative language,
imagery,
Judith Pordon,
Lower Sec,
Mood,
reflection,
The Poets Room,
theme
Friday, September 23, 2011
The Table and the Chair - Edward Lear
Said the Table to the Chair,
'You can hardly be aware,
How I suffer from the heat,
And from chilblains on my feet!
If we took a little walk,
We might have a little talk!
Pray let us take the air!'
Said the Table to the Chair.
Said the Chair to the table,
'Now you know we are not able!
How foolishly you talk,
When you know we cannot walk!'
Said the Table with a sigh,
'It can do no harm to try,
I've as many legs as you,
Why can't we walk on two?'
So they both went slowly down,
And walked about the town
With a cheerful bumpy sound,
As they toddled round and round.
And everybody cried,
As they hastened to their side,
'See! the Table and the Chair
Have come out to take the air!'
But in going down an alley,
To a castle in a valley,
They completely lost their way,
And wandered all the day,
Till, to see them safely back,
They paid a Ducky-quack,
And a Beetle, and a Mouse,
Who took them to their house.
Then they whispered to each other,
'O delightful little brother!
What a lovely walk we've taken!
Let us dine on Beans and Bacon!'
So the Ducky and the leetle
Browny-Mousy and the Beetle
Dined and danced upon their heads
Till they toddled to their beds.
[Qian Ling]
'You can hardly be aware,
How I suffer from the heat,
And from chilblains on my feet!
If we took a little walk,
We might have a little talk!
Pray let us take the air!'
Said the Table to the Chair.
Said the Chair to the table,
'Now you know we are not able!
How foolishly you talk,
When you know we cannot walk!'
Said the Table with a sigh,
'It can do no harm to try,
I've as many legs as you,
Why can't we walk on two?'
So they both went slowly down,
And walked about the town
With a cheerful bumpy sound,
As they toddled round and round.
And everybody cried,
As they hastened to their side,
'See! the Table and the Chair
Have come out to take the air!'
But in going down an alley,
To a castle in a valley,
They completely lost their way,
And wandered all the day,
Till, to see them safely back,
They paid a Ducky-quack,
And a Beetle, and a Mouse,
Who took them to their house.
Then they whispered to each other,
'O delightful little brother!
What a lovely walk we've taken!
Let us dine on Beans and Bacon!'
So the Ducky and the leetle
Browny-Mousy and the Beetle
Dined and danced upon their heads
Till they toddled to their beds.
[Qian Ling]
Learning the Bicycle - Wyatt Prunty
for Heather
The older children pedal past
Stable as little gyros, spinning hard
To supper, bath, and bed, until at last
We also quit, silent and tired
Beside the darkening yard where trees
Now shadow up instead of down.
Their predictable lengths can only tease
Her as, head lowered, she walks her bike alone
Somewhere between her wanting to ride
And her certainty she will always fall.
Tomorrow, though I will run behind,
Arms out to catch her, she'll tilt then balance wide
Of my reach, till distance makes her small,
Smaller, beyond the place I stop and know
That to teach her I had to follow
And when she learned I had to let her go.
[Qian Ling]
The older children pedal past
Stable as little gyros, spinning hard
To supper, bath, and bed, until at last
We also quit, silent and tired
Beside the darkening yard where trees
Now shadow up instead of down.
Their predictable lengths can only tease
Her as, head lowered, she walks her bike alone
Somewhere between her wanting to ride
And her certainty she will always fall.
Tomorrow, though I will run behind,
Arms out to catch her, she'll tilt then balance wide
Of my reach, till distance makes her small,
Smaller, beyond the place I stop and know
That to teach her I had to follow
And when she learned I had to let her go.
[Qian Ling]
Circle - Howard Moss
Now are we saying goodbye?
I think so but can't be sure.
The last phone call but one
Left everything up in the air.
When you called last, did you mean
What you said when you said you meant
To say that this call would be
The last if I didn't call?
In fact, I'm not sure at all
If you called or I called you back.
And did you say "goodbye,"
Or I say "good night" and you
Say "Do you mean ‘good night'
Or ‘goodbye'?" I think it was you.
And what were you trying to do
When you said, "You said we're through?"
How could that be since you
Were the first to bring it up?
I don't think it's what I said,
Though you keep saying I did.
In any case, now that you know
That you know what I meant to say,
Why don't you say what you mean?
I mean if you mean to say
That the last call was the last.
I think that that would be best.
If something is finished, it's just
As well to get up and go.
If you're interested still to know,
I like a slate wiped clean,
And if you would pick up the phone,
I'd tell you what I mean.
[Qian Ling]
I think so but can't be sure.
The last phone call but one
Left everything up in the air.
When you called last, did you mean
What you said when you said you meant
To say that this call would be
The last if I didn't call?
In fact, I'm not sure at all
If you called or I called you back.
And did you say "goodbye,"
Or I say "good night" and you
Say "Do you mean ‘good night'
Or ‘goodbye'?" I think it was you.
And what were you trying to do
When you said, "You said we're through?"
How could that be since you
Were the first to bring it up?
I don't think it's what I said,
Though you keep saying I did.
In any case, now that you know
That you know what I meant to say,
Why don't you say what you mean?
I mean if you mean to say
That the last call was the last.
I think that that would be best.
If something is finished, it's just
As well to get up and go.
If you're interested still to know,
I like a slate wiped clean,
And if you would pick up the phone,
I'd tell you what I mean.
[Qian Ling]
The Smile - William Blake
There is a smile of love,
And there is a smile of deceit;
And there is a smile of smiles,
In which these two smiles meet.
(And there is a frown of hate,
And there is a frown of disdain;
And there is a frown of frowns
Which you strive to forget in vain,
For it sticks in the heart's deep core,
And it sticks in the deep backbone.)
And no smile that ever was smiled,
But only one smile alone—
That betwixt the cradle and grave
It only once smiled can be.
But when it once is smiled
There's an end to all misery.
[Qian Ling]
And there is a smile of deceit;
And there is a smile of smiles,
In which these two smiles meet.
(And there is a frown of hate,
And there is a frown of disdain;
And there is a frown of frowns
Which you strive to forget in vain,
For it sticks in the heart's deep core,
And it sticks in the deep backbone.)
And no smile that ever was smiled,
But only one smile alone—
That betwixt the cradle and grave
It only once smiled can be.
But when it once is smiled
There's an end to all misery.
[Qian Ling]
Unveiling - Linda Pastan
In the cemetery
a mile away
from where we used to live,
my aunts and mother
my father and uncles lie
in two long rows,
almost the way
they used to sit around
the long planked table
at family dinners.
And walking beside
the graves today, down
one straight path
and up the next,
I don't feel sad, exactly,
just left out a bit,
as if they kept
from me the kind
of grown-up secret
they used to share
back then, something
I'm not quite ready yet
to learn.
[Qian Ling]
a mile away
from where we used to live,
my aunts and mother
my father and uncles lie
in two long rows,
almost the way
they used to sit around
the long planked table
at family dinners.
And walking beside
the graves today, down
one straight path
and up the next,
I don't feel sad, exactly,
just left out a bit,
as if they kept
from me the kind
of grown-up secret
they used to share
back then, something
I'm not quite ready yet
to learn.
[Qian Ling]
For the Falling Man - Annie Farnsworth
I see you again and again
tumbling out of the sky,
in your slate-grey suit and pressed white shirt.
At first I thought you were debris
from the explosion, maybe gray plaster wall
or fuselage but then I realized
that people were leaping.
I know who you are, I know
there's more to you than just this image
on the news, this ragdoll plummeting—
I know you were someone's lover, husband,
daddy. Last night you read stories
to your children, tucked them in, then curled into sleep
next to your wife. Perhaps there was small
sleepy talk of the future. Then,
before your morning coffee had cooled
you'd come to this; a choice between fire
or falling.
How feeble these words, billowing
in this aftermath, how ineffectual
this utterance of sorrow. We can see plainly
it's hopeless, even as the words trail from our mouths
—but we can't help ourselves—how I wish
we could trade them for something
that could really have caught you.
tumbling out of the sky,
in your slate-grey suit and pressed white shirt.
At first I thought you were debris
from the explosion, maybe gray plaster wall
or fuselage but then I realized
that people were leaping.
I know who you are, I know
there's more to you than just this image
on the news, this ragdoll plummeting—
I know you were someone's lover, husband,
daddy. Last night you read stories
to your children, tucked them in, then curled into sleep
next to your wife. Perhaps there was small
sleepy talk of the future. Then,
before your morning coffee had cooled
you'd come to this; a choice between fire
or falling.
How feeble these words, billowing
in this aftermath, how ineffectual
this utterance of sorrow. We can see plainly
it's hopeless, even as the words trail from our mouths
—but we can't help ourselves—how I wish
we could trade them for something
that could really have caught you.
[Qian Ling]
Labels:
Annie Farnsworth,
Diction,
free verse,
Mood,
Tone,
upper sec,
voice
Solitude - Ella Wheeler Wilcox
Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
[Qian Ling]
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
[Qian Ling]
Thursday, September 22, 2011
Do not stand at my grave and weep - Mary E. Frye
Do not stand at my grave and weep
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.
[Qian Ling]
I am not there. I do not sleep.
I am a thousand winds that blow.
I am the diamond glints on snow.
I am the sunlight on ripened grain.
I am the gentle autumn rain.
When you awaken in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft stars that shine at night.
Do not stand at my grave and cry;
I am not there. I did not die.
[Qian Ling]
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