Catch by Robert Francis

Two boys uncoached are tossing a poem together,
Overhand, underhand, backhand, sleight of hand, everyhand,
Teasing with attitudes, latitudes, interludes, altitudes,
High, make him fly off the ground for it, low, make him stoop,
Make him scoop it up, make him as-almost-as possible miss it,
Fast, let him sting from it, now, now fool him slowly,
Anything, everything tricky, risky, nonchalant,
Anything under the sun to outwit the prosy,
Over the tree and the long sweet cadence down,
Over his head, make him scramble to pick up the meaning,
And now, like a posy, a pretty one plump in his hands.

Morning train - Alfian Sa'at

Why do you not look at each other's
Faces? Is the scenery that arresting,
One housing estate giving birth
To yet another copy?
Or the advertisements, read and re-read,
As if behind a slogan's promise lay
Hidden promise? Answer me:
Is that consciousness rising in you,
Dissolving your fatigue like a plastic sheet
Warping in heat, or is that simply
Sleep, draining away from you
Down to your soles, to the invisible tracks
Where the dew is dying? Where electricity
Is what pushes you to the borders
Of your own loneliness, against
The vulgar loneliness of crowds

Morning Train -Alfian Sa'st

Why do you not look at each other's
Faces? Is the scenery that arresting,
One housing estate giving birth
To yet another copy?
Or the advertisements, read and re-read,
As if behind a slogan's promise lay
Hidden promise? Answer me:
Is that consciousness rising in you,
Dissolving your fatigue like a plastic sheet
Warping in heat, or is that simply
Sleep, draining away from you
Down to your soles, to the invisible tracks
Where the dew is dying? Where electricity
Is what pushes you to the borders
Of your own loneliness, against
The vulgar loneliness of crowds

Phenomenal Woman – Maya Angelou

Phenomenal Woman – Maya Angelou

Pretty women wonder where my secret lies.

I'm not cute or built to suit a fashion model's size

But when I start to tell them,

They think I'm telling lies.

I say,

It's in the reach of my arms

The span of my hips,

The stride of my step,

The curl of my lips.

I'm a woman

Phenomenally.

Phenomenal woman,

That's me.

I walk into a room

Just as cool as you please,

And to a man,

The fellows stand or

Fall down on their knees.

Then they swarm around me,

A hive of honey bees.

I say,

It's the fire in my eyes,

And the flash of my teeth,

The swing in my waist,

And the joy in my feet.

I'm a woman

Phenomenally.

Phenomenal woman,

That's me.

Men themselves have wondered

What they see in me.

They try so much

But they can't touch

My inner mystery.

When I try to show them

They say they still can't see.

I say,

It's in the arch of my back,

The sun of my smile,

The ride of my breasts,

The grace of my style.

I'm a woman

Phenomenally.

Phenomenal woman,

That's me.

Now you understand

Just why my head's not bowed.

I don't shout or jump about

Or have to talk real loud.

When you see me passing

It ought to make you proud.

I say,

It's in the click of my heels,

The bend of my hair,

the palm of my hand,

The need of my care,

'Cause I'm a woman

Phenomenally.

Phenomenal woman,

That's me

I wandered lonely as a cloud – William Wordsworth

I wandered lonely as a cloud – William Wordsworth

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed---and gazed---but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

[Mel] Saddest Poem by Pablo Neruda

I can write the saddest poem of all tonight. 

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.

To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.

What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.

That's all. Far away, someone sings. Far away.
My soul is lost without her.

As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.

The same night that whitens the same trees.
We, we who were, we are the same no longer.

I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.

Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.

I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.

Because on nights like this I held her in my arms,
my soul is lost without her.

Although this may be the last pain she causes me,
and this may be the last poem I write for her.

The Voice

Woman much missed, how you call to me, call to me,

Saying that now you are not as you were

When you had changed from the one who was all to me,

But as at first, when our day was fair.

Can it be you that I hear? Let me view you, then,

Standing as when I drew near to the town

Where you would wait for me: yes, as I knew you then,

Even to the original air-blue gown!

Or is it only the breeze in its listlessness

Travelling across the wet mead to me here,

You being ever dissolved to wan wistlessness,

Heard no more again far or near?

Thus I; faltering forward,

Leaves around me falling,

Wind oozing thin through the thorn from norward,

And the woman calling.

Thomas Hardy

Dulce et Decorum Est

Bent double, like old beggars under sacks,

Knock-kneed, coughing like hags, we cursed through sludge,

Till on the haunting flares we turned our backs

And towards our distant rest began to trudge.

Men marched asleep. Many had lost their boots

But limped on, blood-shod. All went lame; all blind;

Drunk with fatigue; deaf even to the hoots

Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!-- An ecstasy of fumbling,

Fitting the clumsy helmets just in time;

But someone still was yelling out and stumbling

And floundering like a man in fire or lime.--

Dim, through the misty panes and thick green light

As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,

He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace

Behind the wagon that we flung him in,

And watch the white eyes writhing in his face,

His hanging face, like a devil's sick of sin;

If you could hear, at every jolt, the blood

Come gargling from the froth-corrupted lungs,

Obscene as cancer, bitter as the cud

Of vile, incurable sores on innocent tongues,--

My friend, you would not tell with such high zest

To children ardent for some desperate glory,

The old Lie: Dulce et decorum est

Pro patria mori.

Wilfred Owen

This Is a Photograph of Me - Margaret Atwood

It was taken some time ago.
At first it seems to be
a smeared
print: blurred lines and grey flecks
blended with the paper;

then, as you scan
it, you see in the left-hand corner
a thing that is like a branch: part of a tree
(balsam or spruce) emerging
and, to the right, halfway up
what ought to be a gentle
slope, a small frame house.

In the background there is a lake,
and beyond that, some low hills.

(The photograph was taken
the day after I drowned.
I am in the lake, in the center
of the picture, just under the surface.

It is difficult to say where
precisely, or to say
how large or small I am:
the effect of water
on light is a distortion

but if you look long enough,
eventually
you will be able to see me.)

The Doll - Hilary Tham

Mother said:

“I cannot afford to buy one but I will make you

a doll.”

2 Popsicle sticks

crossed and tied with string.

2 eyes with brows pencilled in.

A quick stroke of another pen

made a scarlet smiling mouth. Then

a dab of glue and cotton wool.

2 scraps of cloth from the sewing

basket, with lace tacked on.

And Doll was fully formed, with

a change of clothes to hand.

Doll lived under my pillow for years.

She did not meet the porcelain doll,

the plastic dolls on our street.

They had real hair, hands with fingers

and toes on their feet.

The Last Dollar – Hilary Tham

Growing up in a dirt lane of shacks,
far from the brick mansions of rich
relatives, I did not feel poor.
After all, our house had a zinc
roof and a real cement floor.
We had a father who worked, a mother
who managed to feed us a little
vegetable with rice
even at month’s end
when neighbors’ children
ate gruel.

The nuns at school asked for help
with the fair to raise money
For The Poor. In a glow of goodwill
I volunteered (it would only cost a dollar)
a gallon of black sea-grass jelly
to make drinks to sell.

Mother cried when I told her.
It was the end of the month
and her last dollar was for food.
She gave me the dollar and we ate gruel
that week, the first time I knew
mothers can cry.

'The Centre of the Universe' - Paul Durcan

Pushing my trolley about in the supermarket;
I am the centre of the universe;
Up and down the aisles of beans and juices,
I am the centre of the universe;
It does not matter that I live alone;
It does not matter that I am a jilted lover;
It does not matter that I am a misfit in my job;
I am the centre of the universe.

But I'm always here, if you want me -
For I am the centre of the universe.

I enjoy being the centre of the universe.
It is not easy being the centre of the universe
But I enjoy it.
I take pleasure in,
I delight in,
Being the centre of the universe.
At six o'clock a.m. this morning I had a phone call;
It was from a friend, a man in Los Angeles;
"Paul, I don't know what time it is in Dublin
But I simply had to call you:
I cannot stand LA so I thought I'd call you."
I calmed him down as best I could.

But I'm always here, if you want me -
For I am the centre of the universe.

I had barely put the phone down when it rang again,
This time from a friend in Sao Paulo in Brazil:
"Paul - do you know what is the population of Sao Paulo?
I will tell you: it is twelve million skulls.
Twelve million pairs of feet in one footbath.
Twelve million pairs of eyes in one fishbowl.
It is unspeakable, I tell you, unspeakable."
I calmed him down.

But I'm always here, if you want me -
For I am the centre of the universe.

But then when the phone rang a third time and it was not yet 6.30 a.m.,
The petals of my own hysteria began to wake up and unfurl.
This time it was a woman I know in New York City:
"Paul - New York City is a Cage",
And she began to cry a little over the phone,
To sob over the phone,
And from five thousand miles away I mopped up her tears.
I dabbed each tear from her cheek
With just a word or two or three from my calm voice.

I'm always here, if you want me -
For I am the centre of the universe.

But now tonight it is myself;
Sitting at my aluminium double-glazed window in Dublin city;
Crying just a little bit into my black tee shirt.
If only there was just one human being out there
With whom I could make a home? Share a home?
Just one creature out there in the night-
Is there not just one creature out there in the night?
In Helsinki, perhaps? Or in Reykjavik?
Or in Chapelizod? or in Malahide?
So you see, I have to calm myself down also
If I am to remain the centre of the universe;
It's by no means an exclusively self-centred automatic thing
Being the centre of the universe.

I'm always here, if you want me -
For I am the centre of the universe.

Seventh Month – Cyril Wong

August: time of death, a path opens
to the past like a wind through grass,

the way lit by sparks, flaming paper.

Yet rituals only displace our desire
to mourn. Let us remember the dead,

but more importantly, persuade them
to ensure no harm may visit us.

We leave a row of chairs for the ghosts
to take our places for just one night.

Wayang actors hide their exhaustion
behind painted faces, dusty cymbals

trailing the bright arc of their voices.

We think how the dead would take this –
foibles of a life sung by archetypes,

reduced to grave, inflated gestures.

Would they grumble to each other
in their seats, complain of a lack

of synchronism between the music
and the action, the noise of traffic

eating into their illusion of narrative?

When it is finally over, would they
linger to gossip amongst themselves

about those who moved on to the life
to follow, sighing upon the mention

of the ones who have chosen to stay?

The Road Not Taken

Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;

Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,

And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.

I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I--

I took the one less traveled by,

And that has made all the difference.

By Robert Frost

Boy at the Window

Seeing the snowman standing all alone
In dusk and cold is more than he can bear.
The small boy weeps to hear the wind prepare
A night of gnashings and enormous moan.
His tearful sight can hardly reach to where
The pale-faced figure with bitumen eyes
Returns him such a god-forsaken stare
As outcast Adam gave to Paradise.

The man of snow is, nonetheless, content,
Having no wish to go inside and die.
Still, he is moved to see the youngster cry.
Though frozen water is his element,
He melts enough to drop from one soft eye
A trickle of the purest rain, a tear
For the child at the bright pane surrounded by
Such warmth, such light, such love, and so much fear.

By Richard Wilbur