Look at my reflection,
Tell me who you see?
Do you see Sophia Haq,
Or do you just see me?
Do you see the pain inside,
Through the twinkle in my smile?
Do you see a stable adult,
Or see the shattered child?
Can you see the tears I've cried,
Through the sparkle in my eyes.
Those passionate kisses upon my lips,
You spoke a thousand lies.
Can you see a depressive adult,
As the manager of a store?
Can you see my heartache,
When laughing with people I adore.
Can you see straight through me,
Or just see mirrored glass?
My face is but a jigsaw,
Of pieces from my past.
Can you feel the fear I've felt,
Through the love within my touch?
Do you love me, or Sophia Haq?
Tell me just how much.
So take a good look at my reflection,
And tell me who do you see?
Do you see smiling Sophia Haq?
Or now do you see me.
- Sophia Haq
Showing posts with label voice. Show all posts
Showing posts with label voice. Show all posts
Tuesday, September 27, 2011
Friday, September 23, 2011
[Vicki] What Do Women Want? - Kim Addonizio
I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what's underneath. I want to walk down
the street past Thrifty's and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I'm the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I'll pull that garment
from its hanger like I'm choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I'll wear it like bones, like skin,
it'll be the goddamned
dress they bury me in.
[Vicki]
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what's underneath. I want to walk down
the street past Thrifty's and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I'm the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I'll pull that garment
from its hanger like I'm choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I'll wear it like bones, like skin,
it'll be the goddamned
dress they bury me in.
[Vicki]
The Table and the Chair - Edward Lear
Said the Table to the Chair,
'You can hardly be aware,
How I suffer from the heat,
And from chilblains on my feet!
If we took a little walk,
We might have a little talk!
Pray let us take the air!'
Said the Table to the Chair.
Said the Chair to the table,
'Now you know we are not able!
How foolishly you talk,
When you know we cannot walk!'
Said the Table with a sigh,
'It can do no harm to try,
I've as many legs as you,
Why can't we walk on two?'
So they both went slowly down,
And walked about the town
With a cheerful bumpy sound,
As they toddled round and round.
And everybody cried,
As they hastened to their side,
'See! the Table and the Chair
Have come out to take the air!'
But in going down an alley,
To a castle in a valley,
They completely lost their way,
And wandered all the day,
Till, to see them safely back,
They paid a Ducky-quack,
And a Beetle, and a Mouse,
Who took them to their house.
Then they whispered to each other,
'O delightful little brother!
What a lovely walk we've taken!
Let us dine on Beans and Bacon!'
So the Ducky and the leetle
Browny-Mousy and the Beetle
Dined and danced upon their heads
Till they toddled to their beds.
[Qian Ling]
'You can hardly be aware,
How I suffer from the heat,
And from chilblains on my feet!
If we took a little walk,
We might have a little talk!
Pray let us take the air!'
Said the Table to the Chair.
Said the Chair to the table,
'Now you know we are not able!
How foolishly you talk,
When you know we cannot walk!'
Said the Table with a sigh,
'It can do no harm to try,
I've as many legs as you,
Why can't we walk on two?'
So they both went slowly down,
And walked about the town
With a cheerful bumpy sound,
As they toddled round and round.
And everybody cried,
As they hastened to their side,
'See! the Table and the Chair
Have come out to take the air!'
But in going down an alley,
To a castle in a valley,
They completely lost their way,
And wandered all the day,
Till, to see them safely back,
They paid a Ducky-quack,
And a Beetle, and a Mouse,
Who took them to their house.
Then they whispered to each other,
'O delightful little brother!
What a lovely walk we've taken!
Let us dine on Beans and Bacon!'
So the Ducky and the leetle
Browny-Mousy and the Beetle
Dined and danced upon their heads
Till they toddled to their beds.
[Qian Ling]
The Smile - William Blake
There is a smile of love,
And there is a smile of deceit;
And there is a smile of smiles,
In which these two smiles meet.
(And there is a frown of hate,
And there is a frown of disdain;
And there is a frown of frowns
Which you strive to forget in vain,
For it sticks in the heart's deep core,
And it sticks in the deep backbone.)
And no smile that ever was smiled,
But only one smile alone—
That betwixt the cradle and grave
It only once smiled can be.
But when it once is smiled
There's an end to all misery.
[Qian Ling]
And there is a smile of deceit;
And there is a smile of smiles,
In which these two smiles meet.
(And there is a frown of hate,
And there is a frown of disdain;
And there is a frown of frowns
Which you strive to forget in vain,
For it sticks in the heart's deep core,
And it sticks in the deep backbone.)
And no smile that ever was smiled,
But only one smile alone—
That betwixt the cradle and grave
It only once smiled can be.
But when it once is smiled
There's an end to all misery.
[Qian Ling]
For the Falling Man - Annie Farnsworth
I see you again and again
tumbling out of the sky,
in your slate-grey suit and pressed white shirt.
At first I thought you were debris
from the explosion, maybe gray plaster wall
or fuselage but then I realized
that people were leaping.
I know who you are, I know
there's more to you than just this image
on the news, this ragdoll plummeting—
I know you were someone's lover, husband,
daddy. Last night you read stories
to your children, tucked them in, then curled into sleep
next to your wife. Perhaps there was small
sleepy talk of the future. Then,
before your morning coffee had cooled
you'd come to this; a choice between fire
or falling.
How feeble these words, billowing
in this aftermath, how ineffectual
this utterance of sorrow. We can see plainly
it's hopeless, even as the words trail from our mouths
—but we can't help ourselves—how I wish
we could trade them for something
that could really have caught you.
tumbling out of the sky,
in your slate-grey suit and pressed white shirt.
At first I thought you were debris
from the explosion, maybe gray plaster wall
or fuselage but then I realized
that people were leaping.
I know who you are, I know
there's more to you than just this image
on the news, this ragdoll plummeting—
I know you were someone's lover, husband,
daddy. Last night you read stories
to your children, tucked them in, then curled into sleep
next to your wife. Perhaps there was small
sleepy talk of the future. Then,
before your morning coffee had cooled
you'd come to this; a choice between fire
or falling.
How feeble these words, billowing
in this aftermath, how ineffectual
this utterance of sorrow. We can see plainly
it's hopeless, even as the words trail from our mouths
—but we can't help ourselves—how I wish
we could trade them for something
that could really have caught you.
[Qian Ling]
Labels:
Annie Farnsworth,
Diction,
free verse,
Mood,
Tone,
upper sec,
voice
Solitude - Ella Wheeler Wilcox
Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
[Qian Ling]
Weep, and you weep alone.
For the sad old earth must borrow it's mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life's gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
[Qian Ling]
Thursday, September 22, 2011
How to Change a Frog into A Prince by Anna Denise
Start with the underwear. Sit him down.
Hopping on one leg may stir unpleasant memories.
If he gets his tights on, even backwards, praise him.
Fingers, formerly webbed, struggle over buttons.
Arms and legs, lengthened out of proportion, wait,
as you do, for the rest of him to catch up.
This body, so recently reformed, reclaimed,
still carries the marks of its time as a frog. Be gentle.
Avoid the words awkward and gawky.
Do not use tadpole as a term of endearment.
His body, like his clothing, may seem one size too big.
Relax. There’s time enough for crowns. He’ll grow into it.
If he gets his tights on, even backwards, praise him.
Fingers, formerly webbed, struggle over buttons.
Arms and legs, lengthened out of proportion, wait,
as you do, for the rest of him to catch up.
This body, so recently reformed, reclaimed,
still carries the marks of its time as a frog. Be gentle.
Avoid the words awkward and gawky.
Do not use tadpole as a term of endearment.
His body, like his clothing, may seem one size too big.
Relax. There’s time enough for crowns. He’ll grow into it.
Still I Rise
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
Maya Angelou
[Rachel]
Labels:
human and resilience,
JC Level,
repetition,
Slavery,
social abjects,
voice,
women
Subscribe to:
Posts (Atom)