[Mel] The Art Of Poetry by Jorge Luis Borges

To gaze at a river made of time and water
And remember Time is another river.
To know we stray like a river
and our faces vanish like water.

To feel that waking is another dream
that dreams of not dreaming and that the death
we fear in our bones is the death
that every night we call a dream.

To see in every day and year a symbol
of all the days of man and his years,
and convert the outrage of the years
into a music, a sound, and a symbol.

To see in death a dream, in the sunset
a golden sadness--such is poetry,
humble and immortal, poetry,
returning, like dawn and the sunset.

Sometimes at evening there's a face
that sees us from the deeps of a mirror.
Art must be that sort of mirror,
disclosing to each of us his face.

They say Ulysses, wearied of wonders,
wept with love on seeing Ithaca,
humble and green. Art is that Ithaca,
a green eternity, not wonders.

Art is endless like a river flowing,
passing, yet remaining, a mirror to the same
inconstant Heraclitus, who is the same
and yet another, like the river flowing.

[Mel] In Paris With You by James Fenton

 Don’t talk to me of love.  I’ve had an earful
 And I get tearful when I’ve downed a drink or two.
 I’m one of your talking wounded.
 I’m a hostage. I’m maroonded.
 But I’m in Paris with you.

 Yes, I’m angry at the way I’ve been bamboozled
 And resentful at the mess that I’ve been through.
 I admit I’m on the rebound
 And I don’t care where are we bound.
 I’m in Paris with you.

 Do you mind if we do not go to the Louvre,
 If we say sod off to sodding Notre Dame
 If we skip the champs Elysees
 And remain here in this sleazy
 Old hotel room
 Doing this or that
 To what and whom
 Learning who you are,
 Learning what I am.

 Don’t talk to me of love. Let’s talk of Paris,
 The little bit of Paris in our view.
 There’s that crack across the ceiling
 And the hotel walls are peeling
 And I’m in Paris with you.

 Don’t talk to me of love.  Let’s talk of Paris.
 I’m in Paris with the slightest thing you do.
 I’m in Paris with your eyes, your mouth,
 I’m in Paris with... all points south.
 Am I embarrassing you?
 I’m in Paris with you.

[Mel] Love After Love by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life. 

[Lisah] The Boy Who Danced WIth A Tank

It was the same old story
Story of boy meets State
Yes the same old story
Story of boy meets State
The body is created by loving
But a tank's made of fear and hate

Armoured cards and heads in helmets
Rank on rank on rank on rank
The hearts of the soldiers were trembling
But the eyes of the soldiers were blank
And then they saw him swaying -
The boy who danced with a tank

The tank moved left
The boy stepped right
Paused like he was having fun
The tank moved right
The boy stepped left
Smiled at his partner down the barrel of its gun

You remember how we watched him
Dancing like a strong young tree
And we knew that for that moment
He was freer than we'll ever be
A boy danced with a tank in China
Like the flower of liberty

- Adrian Mitchell

[Lisah] The Little Black Boy

My mother bore me in the southern wild,
And I am black, but O! my soul is white;
White as an angel is the English child:
But I am black as if bereav'd of light.

My mother taught me underneath a tree,
And sitting down before the heat of day,
She took me on her lap and kissed me,
And pointing to the east, began to say:

"Look on the rising sun: there God does live,
And gives his light, and gives his heat away;
And flowers and trees and beasts and men receive
Comfort in morning, joy in the noon day.

"And we are put on earth a little space,
That we may learn to bear the beams of love,
And these black bodies and this sun-burnt face
Is but a could, and like a shady grove.

"For when our souls have learn'd the heat to bear;
The cloud will vanish; we shall hear his voice,
Saying: 'Come out from the grove, my love & care,
And round my golden tent like lambs rejoice.'"

Thus did my mother say, and kissed me;
And thus I say to little English boy:
When I from black and he from white cloud free,
And round the tent of God like lambs we joy,enthincity

I'll shade him from the heat till he can bear
To lean in joy upon our father's knee;
And then I'll stand and stroke his silver hair,
And be like I'm, and he will then love me.

-William Blake

[Lisah] Silent Witness

Did you ever notice mum,
The tears roll down my face?
The day you took an overdose,
Puking all over the place.

Did you ever notice dad,
The lump that was in my throat?
The day I had to pack my things,
You handed me my coat.

Did you ever notice sis,
The way my hands would shake?
When you used to knock me around,
Convinced I wouldn't break.

I guess you guys just never saw,
The torture you put me through.
God forbid I ever become,
As selfish as any of you.

It's because of you I'll never die,
Because I'm already dead.
The torture inflicted by you lot,
Has affected me in the head.

But still you never noticed me,
And the things that I went through.
To close my eyes and cover my ears,
To get away from you.

Everyday something would break,
A table or a chair.
The knives, the fists and the blood,
You forgot I was standing there?

I was only a child how could you do it,
And destroy me the way you did.
How could you do it to anyone?
Least of all, your kid.

-Sophia Haq

[Sarah] The Nymph's Reply to the Shepherd

If all the world and love were young,            
And truth in every shepherd's tongue, 
These pretty pleasures might me move
To live with thee and be thy love.

Time drives the flocks from field to fold,
When rivers rage and rocks grow cold;
And Philomel becometh dumb;
The rest complains of cares to come.

The flowers do fade, and wanton fields
To wayward winter reckoning yields:
A honey tongue, a heart of gall,
Is fancy's spring, but sorrow's fall.

The gowns, thy shoes, thy beds of roses,
Thy cap, thy kirtle, and thy posies
Soon break, soon wither, soon forgotten,—
In folly ripe, in reason rotten.

Thy belt of straw and ivy buds,
Thy coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.

But could youth last and love still breed,
Had joys no date nor age no need,
Then these delights my mind might move
To live with thee and be thy love.

Sir Walter Raleigh

P.S. This poem is in direct response to Christopher Marlowe's "The Passionate Shepherd to his Love"

[Sarah] The Passionate Shepherd to his Love

Come live with me and be my love,
And we will all the pleasures prove
That valleys, groves, hills, and fields,
Woods or steepy mountain yields.

And we will sit upon the rocks,
Seeing the shepherds feed their flocks,
By shallow rivers to whose falls
Melodious birds sing madrigals.

And I will make thee beds of roses
And a thousand fragrant posies,
A cap of flowers, and a kirtle
Embroidered all with leaves of myrtle;

A gown made of the finest wool
Which from our pretty lambs we pull;
Fair lined slippers for the cold,
With buckles of th purest gold;

A belt of straw and ivy buds,
With coral clasps and amber studs:
And if these pleasures may thee move,
Come live with me and be my love.

The shepherds' swains shall dance and sing
For thy delight each May morning:
If these delights thy mind may move,
Then live with me and be my love.

Christopher Marlowe

P.S. Please see the direct reply to this poem, "The Nymph's Reply to the Shepherd," by Sir Walter Raleigh

[Sarah] What Is It To Write?

It is not a vacation

from your life

when you weary of meetings and rain,

waiting for the bus

and cursing your luck

It is a vocation

that curses your life

and can’t wait for luck

but must meet head-on

the bus weary and rain.

It is not to scribble

a granted sky

by a tree

in the evening park

with your dog running free.

It is to run the dog inside,

scribble the evening into the sky and park

your tree between

the granted and the free

Felix Cheong

[Roxanne] Sylvia Plath: Fever 103°

Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple

Tongues of dull, fat Cerebus
Who wheezes at the gate. Incapable
Of licking clean

The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell

Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora's scarves, I'm in a fright

One scarf will catch and anchor in the wheel.
Such yellow sullen smokes
Make their own element. They will not rise,

But trundle round the globe
Choking the aged and the meek,
The weak

Hothouse baby in its crib,
The ghastly orchid
Hanging its hanging garden in the air,

Devilish leopard!
Radiation turned it white
And killed it in an hour.

Greasing the bodies of adulterers
Like Hiroshima ash and eating in.
The sin. The sin.

Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher's kiss.

Three days. Three nights.
Lemon water, chicken
Water, water make me retch.

I am too pure for you or anyone.
Your body
Hurts me as the world hurts God. I am a lantern ----

My head a moon
Of Japanese paper, my gold beaten skin
Infinitely delicate and infinitely expensive.

Does not my heat astound you. And my light.
All by myself I am a huge camellia
Glowing and coming and going, flush on flush.

I think I am going up,
I think I may rise ----
The beads of hot metal fly, and I, love, I

Am a pure acetylene
Virgin
Attended by roses,

By kisses, by cherubim,
By whatever these pink things mean.
Not you, nor him.

Not him, nor him
(My selves dissolving, old whore petticoats) ----
To Paradise.

[Roxanne] Sara Teasdale: I am Not Yours

I am not yours, not lost in you, Not lost, although I long to be Lost as a candle lit at noon, Lost as a snowflake in the sea. You love me, and I find you still A spirit beautiful and bright, Yet I am I, who long to be Lost as a light is lost in light. Oh plunge me deep in love—put out My senses, leave me deaf and blind, Swept by the tempest of your love, A taper in a rushing wind.

[Roxanne] Sylvia Plath: Daddy

You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.

Daddy, I have had to kill you.
You died before I had time--
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal

And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off beautiful Nauset.
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend

Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gipsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You-- 

Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not 
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the screw.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through.

If I've killed one man, I've killed two--
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There's a stake in your fat black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I'm through.

[Roxanne] Andrew Marvell: The Definition of Love

My Love is of a birth as rare As 'tis for object strange and high: It was begotten by Despair Upon Impossibility. Magnanimous Despair alone Could show me so divine a thing, Where feeble Hope could ne'er have flown But vainly flapped its Tinsel wing. And yet I quickly might arrive Where my extended soul is fixt, But Fate does iron wedges drive, And always crowds itself betwixt. For Fate with jealous eye does see Two perfect Loves; nor lets them close: Their union would her ruin be, And her tyrannic power depose. And therefore her decrees of steel Us as the distant Poles have placed, (Though Love's whole World on us doth wheel) Not by themselves to be embraced. Unless the giddy Heaven fall, And Earth some new convulsion tear; And, us to join, the World should all Be cramped into a planisphere. As lines so Loves oblique may well Themselves in every angle greet: But ours so truly parallel, Though infinite can never meet. Therefore the Love which us doth bind, But Fate so enviously debars, Is the conjunction of the Mind, And opposition of the Stars.

[Roxanne] Yeats: When You Are Old

When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.

Anthem for Doomed Youth

What passing-bells for these who die as cattle?

- Only the monstruous anger of the guns.

Only the stuttering rifles' rapid rattle

Can patter out their hasty orisons.

No mockeries now for them; no prayers nor bells;

Nor any voice of mourning save the choirs, -

The shrill, demented choirs of wailing shells;

And bugles calling for them from sad shires.

What candles may be held to speed them all?

Not in the hands of boys, but in their eyes

Shall shine the holy glimmers of good-byes.

The pallor of girls' brows shall be their pall;

Their flowers the tenderness of patient minds,

And each slow dusk a drawing-down of blinds.

Wilfred Owen

The Graubelle Man

As if he had been poured

in tar, he lies

on a pillow of turf

and seems to weep

the black river of himself.

The grain of his wrists

is like bog oak,

the ball of his heel

like a basalt egg.

His instep has shrunk

cold as a swan's foot

or a wet swamp root.

His hips are the ridge

and purse of a mussel,

his spine an eel arrested

under a glisten of mud.

The head lifts,

the chin is a visor

raised above the vent

of his slashed throat

that has tanned and toughened.

The cured wound

opens inwards to a dark

elderberry place.

Who will say 'corpse'

to his vivid cast?

Who will say 'body'

to his opaque repose?

And his rusted hair,

a mat unlikely

as a foetus's.

I first saw his twisted face

in a photograph,

a head and shoulder

out of the peat,

bruised like a forceps baby,

but now he lies

perfected in my memory,

down to the red horn

of his nails,

hung in the scales

with beauty and atrocity:

with the Dying Gaul

too strictly compassed

on his shield,

with the actual weight

of each hooded victim,

slashed and dumped.

Seamus Heaney

She walks in beauty

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that's best of dark and bright

Meet in her aspect and her eyes:

Thus mellowed to that tender light

Which heaven to gaudy day denies.

One shade the more, one ray the less,

Had half impaired the nameless grace

Which waves in every raven tress,

Or softly lightens o'er her face;

Where thoughts serenely sweet express

How pure, how dear their dwelling place.

And on that cheek, and o'er that brow,

So soft, so calm, yet eloquent,

The smiles that win, the tints that glow,

But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

Lord Byron

The Voice

Woman much missed, how you call to me, call to me,

Saying that now you are not as you were

When you had changed from the one who was all to me,

But as at first, when our day was fair.

Can it be you that I hear? Let me view you, then,

Standing as when I drew near to the town

Where you would wait for me: yes, as I knew you then,

Even to the original air-blue gown!

Or is it only the breeze in its listlessness

Travelling across the wet mead to me here,

You being ever dissolved to wan wistlessness,

Heard no more again far or near?

Thus I; faltering forward,

Leaves around me falling,

Wind oozing thin through the thorn from norward,

And the woman calling.

Thomas Hardy

Break, break, break

Break, break, break,

On thy cold gray stones, O Sea!

And I would that my tongue could utter

The thoughts that arise in me.

O, well for the fisherman's boy,

That he shouts with his sister at play!

O, well for the sailor lad,

That he sings in his boat on the bay!

And the stately ships go on

To their haven under the hill;

But O for the touch of a vanish'd hand,

And the sound of a voice that is still!

Break, break, break

At the foot of thy crags, O Sea!

But the tender grace of a day that is dead

Will never come back to me

Lord Alfred Tennyson

Dulce et Decorum Est

Bent double, like old beggars under sacks,

Knock-kneed, coughing like hags, we cursed through sludge,

Till on the haunting flares we turned our backs

And towards our distant rest began to trudge.

Men marched asleep. Many had lost their boots

But limped on, blood-shod. All went lame; all blind;

Drunk with fatigue; deaf even to the hoots

Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!-- An ecstasy of fumbling,

Fitting the clumsy helmets just in time;

But someone still was yelling out and stumbling

And floundering like a man in fire or lime.--

Dim, through the misty panes and thick green light

As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,

He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace

Behind the wagon that we flung him in,

And watch the white eyes writhing in his face,

His hanging face, like a devil's sick of sin;

If you could hear, at every jolt, the blood

Come gargling from the froth-corrupted lungs,

Obscene as cancer, bitter as the cud

Of vile, incurable sores on innocent tongues,--

My friend, you would not tell with such high zest

To children ardent for some desperate glory,

The old Lie: Dulce et decorum est

Pro patria mori.

Wilfred Owen