The Panic Bird by Robert Phillips

just flew inside my chest. Some
days it lights inside my brain,
but today it's in my bonehouse,
rattling ribs like a birdcage.

If I saw it coming, I'd fend it
off with machete or baseball bat.
Or grab its scrawny hackled neck,
wring it like a wet dishrag.

But it approaches from behind.
Too late I sense it at my back --
carrion, garbage, excrement.
Once inside me it preens, roosts,

vulture on a public utility pole.
Next it flaps, it cries, it glares,
it rages, it struts, it thrusts
its clacking beak into my liver,

my guts, my heart, rips off strips.
I fill with black blood, black bile.
This may last minutes or days.
Then it lifts sickle-shaped wings,

rises, is gone, leaving a residue --
foul breath, droppings, molted midnight
feathers. And life continues.
And then I'm prey to panic again.

Testy Pony by Zachary Schomburg

I am given a pony for my birthday, but it is
the wrong kind of pony. It is the kind of
pony that won't listen. It is testy. When I
ask it to go left, it goes right. When I ask
it to run, it sleeps on its side in the tall
grass. So when I ask it to jump us over the
river into the field I have never before
been, I have every reason to believe it will
fail, that we will be swept down the river to
our deaths. It is a fate for which I am
prepared. The blame of our death will rest
with the testy pony, and with that, I will be
remembered with reverence, and the pony
will be remembered with great anger. But
with me on its back, the testy pony rears
and approaches the river with unfettered
bravery. Its leap is glorious. It clears the
river with ease, not even getting its pony
hooves wet. And then there we are on the
other side of the river, the sun going down,
the pony circling, looking for something to
eat in the dirt. Real trust is to do so in the
face of clear doubt, and to trust is to love.
This is my failure, and for that I cannot be
forgiven.

We Wear the Mask by Paul Lawrence Dunbar

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!

[Mel] Be Drunk by Charles Baudelaire

 Always be drunk.
 That's it!
 The great imperative!
 In order not to feel
 Time's horrid fardel
 bruise your shoulders,
 grinding you into the earth,
 Get drunk and stay that way.
 On what?
 On  wine, poetry, virtue, whatever.
 But get drunk.
 And if you sometimes happen to wake up
 on the porches of a palace,
 in the green grass of a ditch,
 in the dismal loneliness of your own room,
 your drunkenness gone or disappearing,
 ask the wind,
 the wave,
 the star,
 the bird,
 the clock,
 ask everything that flees,
 everything that groans
 or rolls
 or sings,
 everything that speaks,
 ask what time it is;
 and the wind,
 the wave,
 the star,
 the bird,
 the clock
 will answer you:
 "Time to get drunk!
 Don't be martyred slaves of Time,
 Get drunk!
 Stay drunk!
 On wine, virtue, poetry, whatever!"

[Winifred] Funeral Blues

1. Stop all the clocks, cut off the telephone,
Prevent the dog from barking with the juicy bone.
Silence the pianos and, with muffled drum,
Bring out the coffin. Let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling in the sky the message: “He is dead!”
Put crepe bows around the white necks of the public doves.
Let the traffic policemen wear black cotton gloves.

He was my north, my south, my east and west,
My working week and Sunday rest,
My noon, my midnight, my talk, my song.
I thought that love would last forever; I was wrong.

The stars are not wanted now; put out every one.
Pack up the moon and dismantle the sun.
Pour away the ocean and sweep up the wood.
For nothing now can come to any good.

-W.H Auden

[Winifred] One Art

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster,

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three beloved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

-- Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) a disaster.

-Elizabeth Bishop

[Sarah] Tick-Tock

There lived a couple

who lived by a couple

of clocks beside their bed

As newly wed

as two could be,

things soon turned otherwise,

the problem being

splitting hairs between

promise and compromise.

Now being so civil

and servants to time,

naturally they were upset

when, hard as they tried

they couldn’t get

their two clocks synchronized.

No matter how

they altered their rhythm

just before they slept,

she’d go through periods

when she’d still be

two hours in the red.

They re-paired the clocks

and pillow-talked

but still couldn’t agree

whose clock was off

and, on that count,

they figured time was ripe

to call it quits

and leave, let leave,

a match unstruck, unwon.

The sting in this tale

of a vow that failed –

love is more than the feel

of being together

in the same room

but never at the same time

Felix Cheong

[Sarah] Mr. Nobody

I know a funny little man,
As quiet as a mouse,
Who does the mischief that is done
In everybody’s house.
There’s no one ever sees his face,
And yet we all agree
That every plate we break was cracked
By Mr., Nobody

‘Tis he who always tears our books,
who leaves our doors ajar;
he pulls the buttons from our shirts,
and scatters pins afar,
that squeaking door will always squeak,
because of this you see:
we leave the oiling to be done
by Mr Nobody.

He puts damp wood upon the fire,
So kettles cannot boil;
His are the feet that bring in mud
And all the carpets soil.
The papers always are mislaid,
Who had them last but he?
There’s no one tosses them about
But Mr. Nobody

Walter de la Mare

[Roxanne] Sylvia Plath: Daddy

You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.

Daddy, I have had to kill you.
You died before I had time--
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal

And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off beautiful Nauset.
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend

Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gipsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You-- 

Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not 
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the screw.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through.

If I've killed one man, I've killed two--
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There's a stake in your fat black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I'm through.

[Jaslyn] The Road Not Taken by Robert Frost

The Road Not Taken by Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I-
I took the one less traveled by,
And that has made all the difference.

How to eat a poem

Don't be polite.

Bite in.

Pick it up with your fingers and lick the juice that

may run down your chin.

It is ready and ripe now, whenever you are.You do not need a knife or fork or spoon

or plate or napkin or tablecloth.

For there is no core

or stem

or rind

or pit

or seed

or skin

to throw away.

Eve Merriam

Introduction to Poetry

I ask them to take a poem

and hold it up to the light

like a color slide

or press an ear against its hive.

I say drop a mouse into a poem

and watch him probe his way out,

or walk inside the poem's room

and feel the walls for a light switch.

I want them to waterski

across the surface of a poem

waving at the author's name on the shore.

But all they want to do

is tie the poem to a chair with rope

and torture a confession out of it.

They begin beating it with a hose

to find out what it really means.

Billy Collins

She walks in beauty

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that's best of dark and bright

Meet in her aspect and her eyes:

Thus mellowed to that tender light

Which heaven to gaudy day denies.

One shade the more, one ray the less,

Had half impaired the nameless grace

Which waves in every raven tress,

Or softly lightens o'er her face;

Where thoughts serenely sweet express

How pure, how dear their dwelling place.

And on that cheek, and o'er that brow,

So soft, so calm, yet eloquent,

The smiles that win, the tints that glow,

But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

Lord Byron

Break, break, break

Break, break, break,
    On thy cold gray stones, O sea!
And I would that my tongue could utter
    The thoughts that arise in me.

O, well for the fisherman's boy,
    That he shouts with his sister at play!
O, well for the sailor lad,
    That he sings in his boat on the bay!

And the stately ships go on
    To their haven under the hill;
But O for the touch of a vanished hand,
    And the sound of a voice that is still!

Break, break, break,
    At the foot of thy crags, O sea!
But the tender grace of a day that is dead
    Will never come back to me.

Alfred, Lord Tennyson

Imagination

Imagination

(variation of an old Irish folk hymn)

I am the salmon vaulting up the stream,

Wind’s force and wave’s form in the sea:

I am the spark igniting thought from dream.

I am rumbling surf, the oxen’s steam,

I wait on a rock for carrion, gild the tree –

I am the salmon vaulting up the stream.

I am the frail rose in the hedge, the gleam

Of a mad boar’s gnash, a fish-flick – see

I am the spark igniting thought from dream.

I am the low lake where the mountains seem

Scattered by winds – I hold all arts in me:

I am the salmon vaulting up the stream.

I am the word of power, the cutting beam

From the edge of war, mind’s energy –

I am the spark igniting thought from dream.

Who brings the tablets to the tribes, the scheme

Of sundown and moonphase, if not me?

I am the salmon vaulting up the stream,

I am the spark igniting thought from dream.

By Diana Wynne Jones

[Vicki] Cynara - Ernest Christopher Dowson

Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,

Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.
All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,

When I awoke and found the dawn was gray:
I have been faithful to thee, Cynara! in my fashion.
I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,

Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.
I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,

Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion. 




[Vicki]

[Vicki] What Do Women Want? - Kim Addonizio

I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what's underneath. I want to walk down
the street past Thrifty's and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I'm the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I'll pull that garment
from its hanger like I'm choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I'll wear it like bones, like skin,
it'll be the goddamned
dress they bury me in.



[Vicki]

A Dream Within A Dream by Edgar Allan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?