August: time of death, a path opens
to the past like a wind through grass,
the way lit by sparks, flaming paper.
Yet rituals only displace our desire
to mourn. Let us remember the dead,
but more importantly, persuade them
to ensure no harm may visit us.
We leave a row of chairs for the ghosts
to take our places for just one night.
Wayang actors hide their exhaustion
behind painted faces, dusty cymbals
trailing the bright arc of their voices.
We think how the dead would take this –
foibles of a life sung by archetypes,
reduced to grave, inflated gestures.
Would they grumble to each other
in their seats, complain of a lack
of synchronism between the music
and the action, the noise of traffic
eating into their illusion of narrative?
When it is finally over, would they
linger to gossip amongst themselves
about those who moved on to the life
to follow, sighing upon the mention
of the ones who have chosen to stay?
to the past like a wind through grass,
the way lit by sparks, flaming paper.
Yet rituals only displace our desire
to mourn. Let us remember the dead,
but more importantly, persuade them
to ensure no harm may visit us.
We leave a row of chairs for the ghosts
to take our places for just one night.
Wayang actors hide their exhaustion
behind painted faces, dusty cymbals
trailing the bright arc of their voices.
We think how the dead would take this –
foibles of a life sung by archetypes,
reduced to grave, inflated gestures.
Would they grumble to each other
in their seats, complain of a lack
of synchronism between the music
and the action, the noise of traffic
eating into their illusion of narrative?
When it is finally over, would they
linger to gossip amongst themselves
about those who moved on to the life
to follow, sighing upon the mention
of the ones who have chosen to stay?
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