Saturday, October 8, 2011

Patches

If only he had listened

when Mother said to wait,

But he refused to listen

and went ahead instead.

It's such a silly story

when you sit and query.

But when you hear the story,

you can't help but laugh.

He said he had an epiphany

When he was taking a shower,

He wanted to save him some money

So he decided to turn on his mini 'mower'.

It's only ten dollars! everyone said

But his mind was set dead

He wanted to get all that hair off his head!

And then he emerged with both hands full

One with a shaver, and the other filled with regret.

He turned a full round to show us

As he muttered words of cuss

Long here, short there, stray hairs,

And patches everywhere.

The shaver had stopped working

halfway through the cut,

It didn’t help that his hair was thick,

So the small shaver barely did the trick!

I could not stop laughing

While my mother kept on harping,

At the spectacular sight of holes

On my little brother's bowl shaped head.

It's only ten dollars! everyone said

But his mind was set dead

He wanted to get all that hair off his head.

Well now he’s bald, and shiny on top,

When all he wanted was a number-two.

The next time you decide to cut your own hair,

Remember the story of Patches and his hair.

Monday, October 3, 2011

On Turning Ten by Billy Collins

The whole idea of it makes me feel
like I'm coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light--
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.

You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.

But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.

This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.

It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.

The Panic Bird by Robert Phillips

just flew inside my chest. Some
days it lights inside my brain,
but today it's in my bonehouse,
rattling ribs like a birdcage.

If I saw it coming, I'd fend it
off with machete or baseball bat.
Or grab its scrawny hackled neck,
wring it like a wet dishrag.

But it approaches from behind.
Too late I sense it at my back --
carrion, garbage, excrement.
Once inside me it preens, roosts,

vulture on a public utility pole.
Next it flaps, it cries, it glares,
it rages, it struts, it thrusts
its clacking beak into my liver,

my guts, my heart, rips off strips.
I fill with black blood, black bile.
This may last minutes or days.
Then it lifts sickle-shaped wings,

rises, is gone, leaving a residue --
foul breath, droppings, molted midnight
feathers. And life continues.
And then I'm prey to panic again.

Poverty And Wealth by Ella Wheeler Wilcox

The stork flew over a town one day,
And back of each wing an infant lay;
One to a rich man’s home he brought,
And one he left at a labourer’s cot.
The rich man said, ‘My son shall be
A lordly ruler o’er land and sea.’
The labourer sighed, ‘’Tis the good God’s will
That I have another mouth to fill.’
The rich man’s son grew strong and fair,
And proud with the pride of a millionaire.
His motto in life was, ‘Live while you may, ’
And he crowded years in a single day.
He bought position and name and place,
And he bought him a wife with a handsome face.
He journeyed over the whole wide world,
But discontent his heart lay curled
Like a serpent hidden in leaves and moss,
And life seemed hollow and gold was dross.
He scoffed at woman, and doubted God,
And died like a beast and went back to the sod.
The son of the labourer tilled the soil,
And thanked God daily for health and toil.
He wedded for love in his youthful prime,
And two lives chorded in tune and time.
His wants were simple, and simple his creed,
To trust God fully: it served his need,
And lightened his labour, and helped him to die
With a smile on his lips and a hope in his eye.
When all is over and all is done,
Now which of these men was the richer one?

Catch by Robert Francis

Two boys uncoached are tossing a poem together,
Overhand, underhand, backhand, sleight of hand, everyhand,
Teasing with attitudes, latitudes, interludes, altitudes,
High, make him fly off the ground for it, low, make him stoop,
Make him scoop it up, make him as-almost-as possible miss it,
Fast, let him sting from it, now, now fool him slowly,
Anything, everything tricky, risky, nonchalant,
Anything under the sun to outwit the prosy,
Over the tree and the long sweet cadence down,
Over his head, make him scramble to pick up the meaning,
And now, like a posy, a pretty one plump in his hands.

Glass by Robert Francis

Words of a poem should be glass
But glass so simple-subtle its shape
Is nothing but the shape of what it holds.

A glass spun for itself is empty,
Brittle, at best Venetian trinket.
Embossed glass hides the poem of its absence.

Words should be looked through, should be windows.
The best word were invisible.
The poem is the thing the poet thinks.

If the impossible were not,
And if the glass, only the glass,
Could be removed, the poem would remain.

Garden City By Gilbert Koh

Let there be trees, the man said, and lo and behold,
there were trees – rain trees, angsanas, flames of the forest,
causarinas, traveller’s palms and more – springing up against
the steel and concrete of the expanding city.
Even as the true towers of the city climbed higher
and higher for the heavens, the trees were planted, replanted,
transplanted, watered, fertilised, and groomed to grow
and grow. They appeared overnight, abandoned the
chaos of jungle, bent to the will of man, grew in straight lines,
in squares and rectangles, in allocated corners,
in car parks, along highways, outside banks and buildings,
faithful to the commandments of urban developers.
The hard lines of architecture were softened,
the rain did fall, the green did gently, gently grow,
and in his seventieth year, the man was pleased,
as he rested, as he viewed his work, as he felt the weight
of a nation’s soil run slowly through his old green hands.

Testy Pony by Zachary Schomburg

I am given a pony for my birthday, but it is
the wrong kind of pony. It is the kind of
pony that won't listen. It is testy. When I
ask it to go left, it goes right. When I ask
it to run, it sleeps on its side in the tall
grass. So when I ask it to jump us over the
river into the field I have never before
been, I have every reason to believe it will
fail, that we will be swept down the river to
our deaths. It is a fate for which I am
prepared. The blame of our death will rest
with the testy pony, and with that, I will be
remembered with reverence, and the pony
will be remembered with great anger. But
with me on its back, the testy pony rears
and approaches the river with unfettered
bravery. Its leap is glorious. It clears the
river with ease, not even getting its pony
hooves wet. And then there we are on the
other side of the river, the sun going down,
the pony circling, looking for something to
eat in the dirt. Real trust is to do so in the
face of clear doubt, and to trust is to love.
This is my failure, and for that I cannot be
forgiven.

Cement Cloud by Bob Holman

Front window TV breaking news just breaking
Lucy at the assembly line. Must eat more pastries faster!
When One falls, I think if the Other comes this way
It would flatten my flat yet Dad waits for family to come
Home what is that a place of safety laughter breaks
The sky so clear and how beautifully plunging my Friends
From the flaming pickets of the “World” nefarious
Brilliance blinds from death even “Is the air controller's
Computer broken or what?” asks the newscaster when news
Is history lies jokes tell themselves leaving trails of skin

The panic from just outside is my story holes of plane
Flames of symbol clocks of hearts the ash and human
And human there is first the body keep telling yourself
That or anything because what comes next to LIFT us
Ineffable dies in the utter unspeakability political under
Standing or taking of everything the value of freedom
Of peace and the seed that grows into a home where
The door can open a fireball erupts your tongue
Is suddenly singing Remember eyes locked forever
On the double tombstone that is not there and always

The Fist by Derek Walcott

The fist clenched round my heart
loosens a little, and I gasp
brightness; but it tightens
again. When have I ever not loved
the pain of love? But this has moved

past love to mania. This has the strong
clench of the madman, this is
gripping the ledge of unreason, before
plunging howling into the abyss.

Hold hard then, heart. This way at least you live.

We Wear the Mask by Paul Lawrence Dunbar

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!

Sunday, October 2, 2011

The Facebook Sonnet - Sherman Alexie

Welcome to the endless high-school
Reunion. Welcome to past friends
And lovers, however kind or cruel.
Let's undervalue and unmend

The present. Why can't we pretend
Every stage of life is the same?
Let's exhume, resume and extend
Childhood. Let's all play the games

That preoccupy the young. Let fame
And shame intertwine. Let one's search
For God become public domain.
Let church.com become our church.

Let's sign up, sign in and confess
Here at the altar of loneliness.

Morning train - Alfian Sa'at

Why do you not look at each other's
Faces? Is the scenery that arresting,
One housing estate giving birth
To yet another copy?
Or the advertisements, read and re-read,
As if behind a slogan's promise lay
Hidden promise? Answer me:
Is that consciousness rising in you,
Dissolving your fatigue like a plastic sheet
Warping in heat, or is that simply
Sleep, draining away from you
Down to your soles, to the invisible tracks
Where the dew is dying? Where electricity
Is what pushes you to the borders
Of your own loneliness, against
The vulgar loneliness of crowds

Morning Train -Alfian Sa'st

Why do you not look at each other's
Faces? Is the scenery that arresting,
One housing estate giving birth
To yet another copy?
Or the advertisements, read and re-read,
As if behind a slogan's promise lay
Hidden promise? Answer me:
Is that consciousness rising in you,
Dissolving your fatigue like a plastic sheet
Warping in heat, or is that simply
Sleep, draining away from you
Down to your soles, to the invisible tracks
Where the dew is dying? Where electricity
Is what pushes you to the borders
Of your own loneliness, against
The vulgar loneliness of crowds

The Wicked Postman - Rabindranath Tagore

Why do you sit there on the floor so quiet and silent, tell me,
mother dear?
The rain is coming in through the open window, making you all
wet, and you don't mind it.
Do you hear the gong striking four? It is time for my brother
to come home from school.
What has happened to you that you look so strange?
Haven't you got a letter from father today?
I saw the postman bringing letters in his bag for almost
everybody in the town.
Only father's letters he keeps to read himself. I am sure the
postman is a wicked man.
But don't be unhappy about that, mother dear.
Tomorrow is market day in the next village. You ask your maid
to buy some pens and papers.
I myself will write all father's letters; you will not find
a single mistake.
I shall write from A right up to K.
But, mother, why do you smile?
You don't believe that I can write as nicely as father does!
But I shall rule my paper carefully, and write all the letters
beautifully big.
When I finish my writing do you think I shall be so foolish
as father and drop it into the horrid postman's bag?
I shall bring it to you myself without waiting, and letter by
letter help you to read my writing.
I know the postman does not like to give you the really nice
letters.

"Hope" is the thing with feathers- Emily Dickinson

"Hope" is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—

And sweetest—in the Gale—is heard—
And sore must be the storm—
That could abash the
little Bird
That kept so many warm—

I've heard it in the chillest land—
And on the strangest Sea—
Yet, never, in Extremity,
It asked a crumb—of Me

Little Red Riding Hood - Roald Dahl

As soon as Wolf began to feel
That he would like a decent meal,
He went and knocked on Grandma's door.
When Grandma opened it, she saw
The sharp white teeth, the horrid grin,
And Wolfie said, 'May I come in?'
Poor Grandmamma was terrified,
'He's going to eat me up!' she cried.
And she was absolutely right.
He ate her up in one big bite.
But Grandmamma was small and tough,
And Wolfie wailed, 'That's not enough!
I haven't yet begun to feel
That I have had a decent meal!'
He ran around the kitchen yelping,
'I've got to have a second helping!'

Then added with a frightful leer,
'I'm therefore going to wait right here
Till Little Miss Red Riding Hood
Comes home from walking in the wood.'

He quickly put on Grandma's clothes,
(Of
course he hadn't eaten those).
He dressed himself in coat and hat.
He put on shoes, and after that,
He even brushed and curled his hair,
Then sat himself in Grandma's chair.

In came the little girl in red.
She stopped. She stared. And then she said,
'What great big ears you have, Grandma.'
'All the better to hear you with,'
the Wolf replied.
'What great big eyes you have, Grandma.'
said
Little Red Riding Hood.
'All the better to see you with,'
the Wolf replied.
He sat there watching her and smiled.
He thought, I'm going to eat this child.
Compared with her old Grandmamma,
She's going to taste like caviar.

Then Little Red Riding Hood said, '
But Grandma, what a lovely great big
furry coat you have on.'

'That's wrong!' cried Wolf.
'Have you forgot
To tell me what BIG TEETH I've got?
Ah well, no matter what you say,
I'm going to eat you anyway.'

The small girl smiles. One eyelid flickers.
She whips a pistol from her knickers.
She aims it at the creature's head,
And bang bang bang, she shoots him dead.

A few weeks later, in the wood,
I came across Miss Riding Hood.
But what a change! No cloak of red,
No silly hood upon her head.
She said, 'Hello, and do please note
My lovely furry wolfskin coat.'

Candy Man – Roald Dahl

Who can take a sunrise, sprinkle it with dew
Cover it in chocolate and a miracle or two
The candy man, the candy man can
The candy man can 'cause he mixes it with love
And makes the world taste good

Who can take a rainbow, wrap it in a sigh
Soak it in the sun and make a strawberry–lemon pie
The candy man?
The candy man, the candy man can
The candy man can 'cause he mixes it with love
And makes the world taste good

Willy Wonka makes everything he bakes
Satisfying and delicious
Talk about your childhood wishes
You can even eat the dishes

Who can take tomorrow, dip it in a dream
Separate the sorrow and collect up all the cream
The candy man, Willy Wonka can, the candy man can
The candy man can 'cause he mixes it with love
And makes the world taste good

And the world tastes good'
Cause the candy man thinks it should

Phenomenal Woman – Maya Angelou

Phenomenal Woman – Maya Angelou
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman

Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me

Touched by an Angel – Maya Angelou

We, unaccustomed to courage
exiles from delight
live coiled in shells of loneliness
until love leaves its high holy temple
and comes into our sight
to liberate us into life.

Love arrives
and in its train come ecstasies
old memories of pleasure
ancient histories of pain.
Yet if we are bold,
love strikes away the chains of fear
from our souls.

We are weaned from our timidity
In the flush of love's light
we dare be brave
And suddenly we see
that love costs all we are
and will ever be.
Yet it is only love
which sets us free

I wandered lonely as a cloud – William Wordsworth

I wandered lonely as a cloud – William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A
poet could not but be gay,
In such a jocund company:
I gazed---and gazed---but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

Tuesday, September 27, 2011

[Mel] The Harlot's House by Oscar Wilde

We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot's house.

Inside, above the din and fray,
We heard the loud musicians play
The 'Treues Liebes Herz' of Strauss.

Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.

We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.

Like wire-pulled automatons,
Slim silhouetted skeletons
Went sidling through the slow quadrille,

Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.

Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.

Then, turning to my love, I said,
'The dead are dancing with the dead,
The dust is whirling with the dust.'

But she - she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.

Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.

And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.

[Mel] The Art Of Poetry by Jorge Luis Borges

To gaze at a river made of time and water
And remember Time is another river.
To know we stray like a river
and our faces vanish like water.

To feel that waking is another dream
that dreams of not dreaming and that the death
we fear in our bones is the death
that every night we call a dream.

To see in every day and year a symbol
of all the days of man and his years,
and convert the outrage of the years
into a music, a sound, and a symbol.

To see in death a dream, in the sunset
a golden sadness--such is poetry,
humble and immortal, poetry,
returning, like dawn and the sunset.

Sometimes at evening there's a face
that sees us from the deeps of a mirror.
Art must be that sort of mirror,
disclosing to each of us his face.

They say Ulysses, wearied of wonders,
wept with love on seeing Ithaca,
humble and green. Art is that Ithaca,
a green eternity, not wonders.

Art is endless like a river flowing,
passing, yet remaining, a mirror to the same
inconstant Heraclitus, who is the same
and yet another, like the river flowing.

[Mel] Be Drunk by Charles Baudelaire


 Always be drunk.
 That's it!
 The great imperative!
 In order not to feel
 Time's horrid fardel
 bruise your shoulders,
 grinding you into the earth,
 Get drunk and stay that way.
 On what?
 On  wine, poetry, virtue, whatever.
 But get drunk.
 And if you sometimes happen to wake up
 on the porches of a palace,
 in the green grass of a ditch,
 in the dismal loneliness of your own room,
 your drunkenness gone or disappearing,
 ask the wind,
 the wave,
 the star,
 the bird,
 the clock,
 ask everything that flees,
 everything that groans
 or rolls
 or sings,
 everything that speaks,
 ask what time it is;
 and the wind,
 the wave,
 the star,
 the bird,
 the clock
 will answer you:
 "Time to get drunk!
 Don't be martyred slaves of Time,
 Get drunk!
 Stay drunk!
 On wine, virtue, poetry, whatever!"

[Mel] Having A Coke With You by Frank O'Hara


Having a Coke with You

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

[Mel] The Second Coming by William Butler Yeats

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in the sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?


[Mel] Saddest Poem by Pablo Neruda

I can write the saddest poem of all tonight. 

Write, for instance: "The night is full of stars,
and the stars, blue, shiver in the distance."

The night wind whirls in the sky and sings.

I can write the saddest poem of all tonight.
I loved her, and sometimes she loved me too.

On nights like this, I held her in my arms.
I kissed her so many times under the infinite sky.

She loved me, sometimes I loved her.
How could I not have loved her large, still eyes?

I can write the saddest poem of all tonight.
To think I don't have her. To feel that I've lost her.

To hear the immense night, more immense without her.
And the poem falls to the soul as dew to grass.

What does it matter that my love couldn't keep her.
The night is full of stars and she is not with me.

That's all. Far away, someone sings. Far away.
My soul is lost without her.

As if to bring her near, my eyes search for her.
My heart searches for her and she is not with me.

The same night that whitens the same trees.
We, we who were, we are the same no longer.

I no longer love her, true, but how much I loved her.
My voice searched the wind to touch her ear.

Someone else's. She will be someone else's. As she once
belonged to my kisses.
Her voice, her light body. Her infinite eyes.

I no longer love her, true, but perhaps I love her.
Love is so short and oblivion so long.

Because on nights like this I held her in my arms,
my soul is lost without her.

Although this may be the last pain she causes me,
and this may be the last poem I write for her.

[Mel] In Paris With You by James Fenton


 Don’t talk to me of love.  I’ve had an earful
 And I get tearful when I’ve downed a drink or two.
 I’m one of your talking wounded.
 I’m a hostage. I’m maroonded.
 But I’m in Paris with you.

 Yes, I’m angry at the way I’ve been bamboozled
 And resentful at the mess that I’ve been through.
 I admit I’m on the rebound
 And I don’t care where are we bound.
 I’m in Paris with you.

 Do you mind if we do not go to the Louvre,
 If we say sod off to sodding Notre Dame
 If we skip the champs Elysees
 And remain here in this sleazy
 Old hotel room
 Doing this or that
 To what and whom
 Learning who you are,
 Learning what I am.

 Don’t talk to me of love. Let’s talk of Paris,
 The little bit of Paris in our view.
 There’s that crack across the ceiling
 And the hotel walls are peeling
 And I’m in Paris with you.

 Don’t talk to me of love.  Let’s talk of Paris.
 I’m in Paris with the slightest thing you do.
 I’m in Paris with your eyes, your mouth,
 I’m in Paris with... all points south.
 Am I embarrassing you?
 I’m in Paris with you.

[Mel] Nothing Gold Can Stay by Robert Frost

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf,
So Eden sank to grief,
So dawn goes down to day
Nothing gold can stay. 

[Mel] The Last Hero by G. K. Chesterton

See the flying French depart
Like the bees of Bonaparte,
Swarming up with a most venomous vitality.
Over Baden and Bavaria,
And Brighton and Bulgaria,
Thus violating Belgian neutrality.

And the injured Prussian may
Not unreasonably say
"Why, it cannot be so small a nationality
Since Brixton and Batavia,
Bolivia and Belgravia,
Are bursting with the Belgian neutrality."

By pure Alliteration
You may trace this curious nation,
And respect this somewhat scattered Principality;
When you see a B in Both
You may take your Bible oath
You are violating Belgian neutrality.

[Mel] Love After Love by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.


the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.